FYI: about statements the former University of Hong Kong's council chairman Arthur Li. and a comment from jens Galschiøt
About my sculpture "The pillar of shame"
(This letter is Google translated and may therefore contain translation errors)
January 1, 2022:
I just received the following info from the press (Mingpao Hong Kong) about statements the former University of Hong Kong's council chairman Arthur Li
the words from the former Chairman of HKU Council Mr Arthur Li mentioning you and the pillar of shame which used to be at HKU. He decribed that the pillar of shame is a "scam" / "lie" that it was actually made by you for the Oklahoma City Bombing but not the Tiannanmen massacre. He also said that neither the US government nor other countries accepted the pillar of shame so you sent it to Hong Kong.
I strongly dissociate myself from what the former University of Hong Kong's council chairman Arthur Li is saying. It is strange and completely unacceptable to be called a liar by a man who advocates taking down works of art that try to remember and mark Chinese history.
It is Arthur Li who is trying to obliterate history and wants to oppress everyone who is in favor of citizens' free rights to debate, and to remember what is happening in Chinese society both now and in the past. It is a disgrace that the monument "The pillar and shame" has been removed with violence from Honkkong University and it is a disgrace that the university people can go in to wipe out history.
It's not me who's lying and manipulating the story, but perhaps Arthur Li is probably trying to create a breeding ground for a lie that the June 4, 1989 Tiananmen Square Massacre never took place.
I made created The Pillar of Shame in 1993 to 1995. It was my intention to create a monument that remembered various landmark crimes against humanity around the world. The same sculpture was to be erected in several different places in the world to mark these crimes.
Therefore, all the different peoples are represented the sculpture, Asians, Africans, European, indigenous peoples from the American continent ect, so that the same sculpture could mark different crime. Only the large shelf was very special for each country.
The sculpture was called "The Nobel Prize of Shame" by the press. And China received the first "award" for the Tiananmen Square Massacre in 1989.
It is a very important point and an artistic decision that the sculpture should be the same everywhere it
should mark a crime, to emphasize that the essence of these crimes in the world is the same no matter where they took place
I decided that the first "pillar of shame" should be erected in Hong Kong in 1997, to mark the June 4 Tiananmen Square Massacre in 1989.
I presented it in Rome, Italy in 1995, during a major international meeting. I got a lot of suggestions on where to put up a copy of The Pillar of Shame. But I chose the first one to be erected in Hong Kong in 1997 and I made a special copy and a special plinth for Hong Kong.
Some years after the year 2000, I set up a "Pillar of Shame" in Mexico to mark the killing of the indigenous people and in 2001, I set up another one in Brazil to mark the massacre of the landless peasants and the struggle for land in Brazil. It is still my intention that I will line up more in the world.
The pillar of shame in Hong Kong, is the most important of these sculptures, as it was the first to be erected and it has formed a school for the 2 other "Pillar of Shame" "in the world.
"The old cannot kill the young forever" chiseled into the base of "The pillar of Shame" is a quote taken from the students at Tiananmen Square in 1989 and this quote is on the sculptures erected in Mexico and Brazil
Yours sincerely
Jens Galschiøt
Mobile +45 40447058
Attached is a press release from the Hong Kong Committee in Norway: A monument to freedom and democracy in Hong Kong disappears.
We have made a Google translate of the statement and put the Norwegian origina under
Best jens mobil +45 4044 7058
Google translate of the statement
Attached is a press release from the Hong Kong Committee in Norway: A monument to freedom and democracy in Hong Kong disappears.
Best regards,
Jessica KaYi Chiu
Hong Kong Committee in Norway, chair
Tel: +47 9687 7853
Facebook: https://www.facebook.com/standwithhk.norway/
IG: @ standwithhk.norway
Twitter: @hkc_no
Web: https://hongkongkomiteen.org/
Press release from the Hong Kong Committee in Norway:
A monument to freedom and democracy in Hong Kong disappears
Today, Danish Jens Galschiøt's sculpture Pillar of Shame (Skamstøtten) is removed from
campus at Hong Kong University. The sculpture is a memorial to those who died in
the massacre that crushed the protests in Tiananmen Square in Beijing on June 4, 1989.
Galschiøt, who himself owns the sculpture, has repeatedly approached
Hong Kong authorities to come to an arrangement so that the sculpture can be brought to
Denmark. He has then explained that special competence is required so that the sculpture does not become
broken. Galschiøt has not been informed in advance of the current operation. Testimonials
indicates that there is a great danger that the sculpture is about to be destroyed.
This action joins the ranks of the Hong Kong authorities' attempts to erase
out the memories in Hong Kong of the massacre. Previously, the authorities closed June 4-
museum in Hong Kong, denied the people their statutory right to mark the crime,
forcibly dissolved the organization working for freedom and democracy in mainland China,
arrested the organization's leaders for alleged violations of the Security Act, and restricted
access to the June 4 Museum website.
The Hong Kong Committee in Norway condemns the authorities' attempts to write about and
falsify the story of the historically essential, peaceful uprising in support of
democracy and freedom in China. If the unconfirmed reports of destruction turn out to
bring correctness, there are methods from Mao's cultural revolution that have now come to
Hong Kong. This action will then show how Hong Kong's former freedoms are now in
free fall.
With its attacks on the population's collective memory of the atrocities of 1989 gives
Carrie Lams steer us associations in the direction of a modern barbarism, with attacks on
objective storytelling inspired by George Orwell's Nineteen - four.
Brief background information
The Pillar of Shame was first unveiled during the memorial service at Victoria Park in Hong Kong on 4 June
1997. It was then moved between several of the universities in Hong Kong. From September
In 1998, the statue was permanently exhibited at Hong Kong University.
Ahead of the 2008 Summer Olympics, Galschiøt launched the project The Color Orange, there
orange color was used to express support for human rights. As part of this
the project was Pillar of Shame painted orange in 2008. Since then, the students at Hong
King University painted the statue orange on June 4 each year. They did this again this year, something like
may have been the last commemoration of the Hong Kong massacre in a long time
the Norwegian origina
Vedlagt følger pressemelding fra Hongkongkomiteen i Norge: Et monument for frihet og demokrati i Hongkong forsvinner.
Beste hilsen,
Jessica KaYi Chiu
Hongkongkomiteen i Norge, leder
Tlf: +47 9687 7853
IG: @standwithhk.norway
Twitter: @hkc_no
Pressemelding fra Hongkongkomiteen i Norge:
Et monument for frihet og demokrati i Hongkong forsvinner
I dag blir danske Jens Galschiøts skulptur Pillar of Shame (Skamstøtten) fjernet fra
campus på Hong Kong University. Skulpturen er et minnesmerke for de som døde i
massakren som knuste protestene på Den himmelske freds plass i Beijing 4. juni 1989.
Galschiøt, som selv eier skulpturen, har ved gjentatte anledninger henvendt seg til
Hongkongmyndighetene for å komme til en ordning slik at skulpturen kan bringes til
Danmark. Han har da forklart at det kreves særlig kompetanse for at skulpturen ikke blir
ødelagt. Galschiøt har ikke blitt informert i forkant av dagens operasjon. Vitneskildringer
tilsier at det er stor fare for at skulpturen er i ferd med å destrueres.
Denne handlingen føyer seg inn i rekken av Hongkongmyndighetenes forsøk på å viske
ut minnene i Hongkong om massakren. Tidligere har myndighetene stengt 4. juni-
museet i Hongkong, nektet befolkningen deres lovfestede rett til å markere ugjerningen,
tvangsoppløst organisasjonen som arbeider for frihet og demokrati i fastlands-Kina,
arrestert organisasjonens ledere for påståtte brudd mot sikkerhetsloven, og begrenset
tilgangen til 4.juni-museets nettsted.
Hongkongkomiteen i Norge fordømmer myndighetenes forsøk på å skrive om og
forfalske historien om den historisk essensielle, fredelige oppstanden til støtte for
demokrati og frihet i Kina. Om de ubekreftede meldingene om destruksjon viser seg å
medføre riktighet, er det metoder fra Maos kulturrevolusjon som nå er kommet til
Hongkong. Denne handlingen vil da vise hvordan Hongkongs tidligere friheter nå er i
fritt fall.
Med sine angrep på befolkningens kollektive hukommelse av ugjerningene i 1989 gir
Carrie Lams styre oss assosiasjoner i retning av et moderne barbari, med angrep mot
objektiv historiefortelling inspirert av George Orwell’s Nittenåttifire.
Kort bakgrunnsinformasjon
Pillar of Shame ble først vist under minnestunden i Victoria Park i Hongkong 4. juni
1997. Den ble deretter flyttet mellom flere av universitetene i Hongkong. Fra september
1998 har statuen permanent vært utstilt på Hong Kong University.
I forkant av sommer-OL i 2008 lanserte Galschiøt prosjektet The Color Orange, der
oransje farge ble brukt for å uttrykke støtte til menneskerettigheter. Som et ledd i dette
prosjektet ble Pillar of Shame malt oransje i 2008. Siden dette har studentene på Hong
Kong University malt statuen oransje 4. juni hvert år. Dette gjorde de også i år, noe som
kan ha vært den siste markeringen av massakren i Hongkong på lang tid
********
The whole area of Hong Kong University where the sculpture has stood for 24 years has been covered and there is a lot of noise inside behind the curtain.
So it suggests that machines and humans are in the process of breaking down the sculpture.
We encourage everyone to go out to Hong Kong University and document everything that happens with the sculpture,
We have done everything we can to tell the University of Hong Kong that we would very much like to pick up the sculpture and bring it to Denmark.