PRESSEMEDDELELSE — 19. januar 2026
 
Fra klimaretfærdighed til solidaritet med Grønland: Den Orange Plage vender tilbage som et visuelt protestsymbol med global gennemslagskraft
 
Efter sit internationale gennembrud ved COP30-klimatopmødet i Brasilien, gjorde Trump i weekenden skulpturen Den Orange Plage (The Orange Plague på engelsk) uventet relevant, hvorfor vi besluttede os for at tage den med til den pro-grønlandske demonstration i København. 
 
Skulpturen blev enormt godt modtaget af de mange demonstranter. Foruden skulpturen medbragte vi 800 3D-printede miniatureudgaver af skulpturen som vi uddelte til med-demonstranterne som en påmindelse om, hvad vi kæmper imod. Det er de samme 3D skulpturer vi uddelte 6.000 af til klimatopmødet i Brasilien forrige måned. 
 
 
 
Ved demonstrationen fungerede skulpturen som en visuel fortolkning af, hvordan mange mennesker – ikke kun i Grønland og Danmark, men globalt – opfatter Donald Trumps opførsel: som dominerende, uansvarlig og ude af stand til at se ud over egne interesser og behov.
 
Jens Galschiøt, kunstneren bag skulpturen udtaler:
“Jeg håber, at billedet af skulpturen vil blive brugt som et symbol, der styrker Grønlands sag og fremmer international solidaritet mod Trump og den politiske dagsorden, han repræsenterer.”
 
Tidligere visning i Brasilien. Skulpturen blev første gang præsenteret ved COP30-klimatopmødet i Belém, Brasilien, i november. Her vakte  Den Orange Plage betydelig international medieopmærksomhed, og 6.000 miniatureudgaver af skulpturen blev uddelt til delegerede, aktivister og journalister som visuelle samtalestartere om magt, ansvar og klimaretfærdighed. (Se mediedækning, fotos – scroll ned – og projektets hjemmeside.)
 
Men kan den samme skulptur tale om både klima og geopolitik? Ifølge kunstneren er svaret et klart ja:
“Trump er ikke kun et problem for klimaet. Han er et symbol på et bredere magtmisbrug, som påvirker menneskerettigheder, demokrati og global solidaritet. Kunst skal have lov til at leve, blive fortolket og genfortolket og tale ind i nye sammenhænge. Når virkeligheden ændrer sig, vokser værkets betydning med den.”
— Jens Galschiøt, billedhuggeren bag Den Orange Plage 
Desuden var det dejligt at få 'luftet' skulpturen igen. Budskabet rammer noget i mange mennesker og folk tager generelt vanvittigt godt imod den og det er ret god oplevelse. 
 
Med Trumps rablende adfærd lader det til at Den Orange Plage bliver ved med at være relevant længe endnu - omend vi jo også håber at den ikke bliver det. 
 
Gode Hilsner
 
Overskribent og Trump-fremviser Lasse Galschiøt Markus, de gæve gallerister og Jens Galschiøt selv. 
 
 
Kontakt:
Jens Galschiøt (kunstner, Danmark)
Telefon/WhatsApp: +45 40 44 70 58
E-mail: jens@galschiot.com
3D-fil af skulpturen: 3D-printbar version af skulpturen
 

HERUNDER: Tilbageblik og baggrund omkring skulpturen. Desværre kun på engelsk.
 
 
 
THE ORANGE PLAGUE IN BRAZIL (Nov 2025) - Scroll Down.  More Info:
BACKGROUND 
 
PRESS RELEASE– October 30, 2025
 
The Orange Plague - at COP30
 
A tall Trump sculpture cast in bronze sitting on the back of a fragile man as the King of Injustice, with scales in hand - and a golf-club, is heading for Brazil. Along with 6,000 Mini-Trump-sculptures that are handed out. 
 
     
        Photos right to left:The bronze sculpture 2½meters incl. podium. Original 3D prints, to be handed out at the climate sumit in Brazil. More photos (scroll down)
 
 
When world leaders gather for the COP30 climate summit in Belém, Brazil, they will be met by The Orange Plague — a brutal, satirical statement about Trump’s and the United States’ attacks on the green transition and the rules-based world order, and an encouragement to work together to stand against this destructive influence.
 
The Sculpture 
Including podium the copper sculpture stands 2,5 meters tall, portraying a corpulent, nude Trump perched arrogantly on a thin young man in sneakers and shorts — an image of power imbalance and denial. In one hand Trump holds a golf club, in the other a scale of justice. Next to him, a golf ball shaped like Planet Earth lies on the ground.
 
On the pedestal is engraved the haunting inscription:
I am sitting on the back of a man.
He is sinking under my burden.
I will do anything to help him.
Except stepping down from his back.
 
Inspired by “The Emperor’s New Clothes” – with a Golf Club Twist Artist Jens Galschiøt describes the work as a modern version of “The Emperor’s New Clothes” by Hans Christian Andersen, in which a vain ruler parades naked, believing himself dressed in the finest garments. The illusion — sustained by fear and flattery — endures until a child cries out, “He’s not wearing any clothes” - and the emperor becomes a figure of ridicule.
 
“Trump is the naked emperor, trapped in his own illusion of greatness. Everyone can see the truth — but few dare to say it aloud,” says the Artist Jens Galschiøt.
 
Using grotesque humor and theatrical exaggeration, the sculpture draws from the traditions of political satire and commedia dell’arte, where laughter is used as a weapon against fear and power. “Laughter disarms tyrants. Once the laughter begins, the fear disappears — and power stands naked,” Galschiøt adds.
 
6,000 Mini-Trumps to Invade COP30
To amplify the message, Galschiøt and his team have produced 6,000 miniature 3D-printed copies of the sculpture that will be handed out freely to delegates and activists at the summit. Each tiny Trump bears the engraving King of Injustice and The Orange Plague, along with the text I sit on the back of a man, I will do anything to help him, Except stepping down. See 3D printing in progress
 
The miniatures are part of a street-art-style action. Each small figure acts as a “sculptural outcry”, a visual protest symbol meant to spark debate and viral attention. All 3D print files for the mini-sculpture are released freely under open license. Anyone can download and print their own version of “The Orange Plague”. Get Print Files
 
The purpose of the project and why Donald Trump?
Trump is undermining the climate efforts, rolling back hard-won progress, and even destroying the scientific data that documents it. Worse yet, he is using power and economic pressure to discourage other nations from pursuing green initiatives — thereby weakening the global fight against climate change.
 
Nations as well as NGOs are afraid to openly raise the subject on how to deal with Trump and his policies, fearing tariffs, fund-cuts, deportations or the like. As an independent art workshop we are not restricted by such bonds. This sculpture has been made to address "the elephant in the room" and start a necessary debate of how the US is destroying the world’s only chance to counter the climate catastrophe and a debate on how to stand up against him.
 
For coordination please contact: aidoh@aidoh.dk  - whatsapp +45 61703083
 
Galschiøt Returns to Belém – 25 Years After His “Pillar of Shame”
This is not Galschiøt’s first major intervention in Brazil. Back in 2000, Galschiøt erected a Pillar of Shame-sculpture in Belém in collaboration with Brazil’s current president Lula da Silva and the land rights movement MST, as a commemoration of the Eldorado-massacre in which 19 landless peasants were killed by military Police.
 
The sculpture still stands in Belém today as a powerful symbol of resistance. The Pillar of Shames are erected around the world as a kind of "Nobel Price" for Crimes Against Humanity. Another one is the world-famous Orange Pillar of Shame in Hong Kong. Scroll down to learn more about this. 
Pillar of Shame in general (Wikipedia)
Pillar of Shame in Brazil
 
Art as a Political Weapon at Climate Conferences 
Galschiøt is no stranger to using art as confrontation. His monumental installations have appeared at COP15 (Copenhagen), RIO+20, COP21 (Paris), COP23 (Bonn) and COP29 (Baku) — often becoming media icons and protest symbols at the summits. 
 
 
Contact 
  • Lasse Galschiøt, Co-artist and project manager
    aidoh@aidoh.dk
    Whatsapp +45 61703083
Links:
 
 
A short self-introduction by Jens Galschiøt 
I am a Danish artist who has exhibited climate related art at climate conferences all over the world, including COP15, RIO+20, COP21, COP23 and COP29, often with support from the Danish government. In my experience, art can serve as a powerful complement to the many words exchanged at a climate summit. My sculptures are often used by the media as sort of mascots for the events. They are easy to understand visual expressions of the climate issue and what is at stake at the conferences.
 
COP30 - An Art Work Says More Than a 1,000 Words
 
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Survival of the Fattest / Double Standard
 
The Orange Plague or God of Injustice is a new interpretation of the sculpture Survival of the Fattest that was exhibited at COP15 and COP29. The sculpture is extremely popular in Brazil and the rest of the world. For example more than 500.000 have shared the photo of the sculpture on facebook
 
 
 
 
Take a look for yourself at our interactive map.
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Take a Virtual Tour around Galschiøt's Gallery with Google Street View
 
It is now possible to walk directly into Gallery Galschiøt and look around. So now the whole world can come visit, without having to travel halfway around the world. Of course, we still hope that our many thousands of annual guests will stop by and look at art and drink coffee. Click here and take a virtual tour.
 
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About Jens Galschiøt
 
Danish artist Jens Galschiøt has created many socio-critical sculptures and installations through the years. Most often they are placed in public spaces around the world – as needle-sticks and silent reminders of a world that, in his opinion, is out of balance, and where exploitation of the world’s resources, inequality and migration are a constant part of the picture.
 
 
 
The Pillar of Shame in front of the Brazilian Parliament, year 2000
 
 
 
 
 
 
 
 
 
 
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