January 20, 2026 -- Austin, Texas, activist, female-majority, power-trio Parker Woodland release timely new dual single "Police On My Back" b/w "Get Me to the Show (radio mix),” out Jan. 30 to streaming platforms. The A-side is their fierce, anti-ICE cover of “Police On My Back,” (The Equals, The Clash). The B-side is a shimmery remix of their 2025 gem “Get Me to the Show,” just named a Chicago Indie Radio Project (CHIRP) Song of the Year. The singles will be available early on Bandcamp (Jan. 23), with all proceeds benefitting the
Texas Civil Rights Project, leading up to it's wide release to streaming on Jan. 30.
This is the band’s first time producing and engineering itself entirely, and underscores Parker Woodland’s mission of fighting for justice while centering joy. They draw from punk, psych rock, and dream pop in crafting their justice-meets-joy anthems.
Parker Woodland is known for high-energy live shows featuring melodic-psych guitar from Andrew Solin, pounding drums from Keri Cinquina, powerhouse vocals from Walter, and cinematic visuals from lighting designer Starr Long. The songs have become staples of their live shows, with Walter jumping into the crowd to decry the presence of U.S. Immigration and Customs Enforcement (ICE) in cities across the U.S.
“We take heart, hearing crowds cheer at our shows in support of immigrants and abolishing ICE,” said Walter, an Austin native and finalist for Activist of the Year in the Austin Chronicle and Community Leader of the Year in Austin Monthly (2024). “But here in Texas, unfortunately ‘Police On My Back’ is relevant to almost everyone, particularly black and brown Texans and trans and LGBTQIA+ people. Anyone with a uterus is being unjustly policed everywhere we go.”
To accompany the 1960s political cover of “Police On My Back,” Parker Woodland chose a new mix of “Get Me to the Show” which premiered on KUTX and Sun Radio. “Get Me to the Show” is a defiant take on being a woman in rock-n-roll, dancing on tables and not caring about forgetting your age entirely.
“Police On My Back" and “Get Me to the Show” were both produced and mixed by Solin and co-produced by bandmates Walter and Cinquina. “Police On My Back” was mastered by Dave McNair (Bob Dylan, David Bowie, Patti Smith), and “Get Me to the Show” was mastered by Brett Orrison, executive director of Austin’s Spaceflight Records.
Parker Woodland has previously been covered at NPR, Austin City Limits Radio, Austin American-Statesman, New Noise Magazine, Austin Chronicle, Glide and more. They’re favorites of KUTX, including playing their Rock the Park with Luna Luna and their SXSW Rock the Shores showcase w/ Waco Brothers, A Giant Dog, Saul Paul, and The Dinosaur's Skin. They played Chicken Ranch Records 20th Anniversary SXSW Party w/ Peelander-Z, and the annual Peace Fest w/ Willie Nelson, Jon Dee Graham, Urban Heat and more. Members of the band have opened for Lucinda Williams, Melissa Etheridge, White Zombie, Bill Medley of the Righteous Brothers, Big Freedia, Ministry, and John Cameron Mitchell (Hedwig and the Angry Inch).
At its core, Parker Woodland has always been a celebration of community. All three members have been fixtures in Austin’s indie music scene for decades. Known as an activist band (with Walter an award-winning Unitarian Universalist justice leader), their anti-racist, pro LGBTQA+, socially progressive music, live shows and general stance on living is metered out with fun and energetic positivity.
Walter and Cinquina met more than a decade ago when they made up the rhythm section in the genderqueer-focused muscle rock band Butch County. Walter and Solin came together through mutual friend (and Emmy winner) Matt Parmenter who ended up recording and mixing their 2024 album There's No Such Thing as Time at his Ice Cream Factory Studio (voted Best Studio 2024 by Austin Chronicle). The secret ingredient to these sessions was producer Brent Baldwin who made a name for himself collaborating with acts like Big Star, R.E.M, Wilco, ...And You Will Know Us by the Trail of Dead, and Alejandro Escovedo.
Like their riot grrrl forebears Sleater-Kinney, Parker Woodland is also named after an intersection where the band formed in Austin, not a person’s name. Their first release was the The World’s on Fire EP (2021), and the title track remains the band’s thesis and anthem. “I’ve played that song at weddings,” laughs Walter. “We face what’s hard about the world and we also still fall in love. There's still beauty. There's still joy. That song is a guiding force.”
Their cover of Austin legend Daniel Johnston’s “True Love Will Find You in the End” and the Holly Near cover “I Am Willing” (2023) stems from a KUTX / SXSW showcase of bands covering Johnston songs, and the Near song fits their social justice values and lifetimes of activism.
There's No Such Thing as Time (2024) is filled with energetic anthems that hit us with punk exuberance, pop hooks and psychedelic guitars. Each fist-pumping anthem makes you want to jump up, dance and shout along to help shape this world into a place of love and compassion, even as the Earth crumbles around you.
“Anyone struggling with inner demons, or is dealing with grief," says Cinquina, an institution in Austin’s queer music scene, "we want to be a light in someone’s day.”
“We believe that music can change the world,” adds Walter. “The inspirational sparks for our songs come from grappling with heavy shit, like the destruction of the planet and the fight for trans rights. We start in those places, emotionally, then we look to see how we can extend the message and music to be life-giving to everyone.”
Walter serves on the advisory council for The SIMS Foundation, which provides mental health and substance use recovery services, and was the board president for Girls Rock Austin. Due to their commitment to the betterment of their hometown, the Austin City Council made a proclamation at City Hall to create an annual Parker Woodland Day on September 12th in honor of their album There's No Such Thing as Time. Two-time recent Sonic Guild grant winners, Parker Woodland plans to release their sophomore full-length later this year.
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CREDITS - “Police On My Back”
Artist: Parker Woodland
Erin Walter: lead vocals, bass
Andrew Solin: guitar, backing vocals, percussion
Keri Cinquina: drums, backing vocals, percussion
Composer: Eddy Grant (The Equals, 1967)
Also covered/popularized by The Clash (1980)
Producer, Recording & Mixing Engineer: Andrew Solin
Co-Producers: Erin Walter, Keri Cinquina
Mastering Engineer: Dave McNair
LYRICS - “Police On My Back”
Well, I'm running
Police on my back
I've been hiding
Police on my back
They want to shootin’
Police on my back
And the victim
Well he won't come back
I've been running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
Running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
What have I done?
What have I done?
I've been running
Down the runway track
Won’t you help me?
Police on my back
They will catch me
If I dare drop back
Would you give me
All the speed I lack
I've been running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
Running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
What have I done?
What have I done?
Police on my back
Police on my back
Running (Police on my back)
Running (Police on my back)
Well, I'm running
Police on my back
I've been hiding
Police on my back
They want to shootin’
Police on my back
And the victim –
Running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
Running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
What have I done?
What have we done?
Running (Police on my back)
Hiding (Police on my back)
Running (Police on my back)
Hiding (Police on my back)
I've been running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
Running Monday, Tuesday, Wednesday
Thursday, Friday, Saturday, Sunday
CREDITS - “Get Me to the Show (radio mix)”
Artist: Parker Woodland
Erin Walter: lead vocals, bass
Andrew Solin: guitar, backing vocals, percussion
Keri Cinquina: drums, percussion
Noëlle Hampton: Backing Vocals
Composers: Erin Walter, Andrew Solin, Keri Cinquina
Recording Engineers: Stuart Sullivan, Andrew Solin
Producer & Mixing Engineer: Andrew Solin
Co-Producers: Erin Walter, Keri Cinquina
Vocal Producer: Noëlle Hampton
Additional Vocal Engineering: Noëlle Hampton, Kelsey Flanagan
Mastering Engineer: Brett Orrison
Lyrics: Erin Walter, Andrew Solin
LYRICS - “Get Me to the Show (radio mix)”
You can dance in the back rooms
No one has to know
(No one has to know)
I’ll be up on the tables
We’re doing it for show
(‘Cause when you know you know)
And when you ask me for my number
Honestly I can’t remember
‘Cause growing up
I don’t need it
Just get me to the show
I’ll be acting up
Like I mean it
Just get me to the show
You’ve been playing the long game
And it’s wearing thin
(Yeah it’s wearing thin)
Now we’re writing our own rules
And we’re gonna win
(Don’t you wanna win?)
And yes I got your letters
I tore ‘em up and I feel better
‘Cause growing up
I don’t need it
Just get me to the show
I’ll be acting up
Like I mean it
Just get me to the show
“Hey Keri, it’s me, change of plans
Get your shoes on, I’ll be there in 5
No, I’ll explain when I get there
Trust me, it’s gonna be [******] awesome”
ba ba da da da da
Ba da da da ba da da da da
ba ba da da da da
Ba da da da ba da da da da
You can ask me for my number
But you’re not gonna get an answer
Growing up
I don’t need it
Just get me to the show
I’ll be acting up
Like I mean it
Just get me to the show
Why so serious?
It’s not bleeding
This could be enough
Can’t you feel it?