Satellietgroep & all invited artists and designers and guests warmly invite you to join the exhibition & program to rethink our perceptions of culture and nature.
During five weeks, every week we shift the focus within the whole exhibition process, with a program of workshops, seminars and expditions. Visitors have the opportunity to connect and contribute to the
ongoing process of artistic research, share their thoughts and insights,
and discover through the arts a multitude of fields of knowledge.
PROGRAM THIRD WEEK:
EVERY DAY DURING OPENING HOURS
Nishiko and Sachi Miyachi work on site at Electriciteitsfabriek.
THURSDAY NOVEMBER 1
TASTING EDIBLE EARTH & ARTIFACTS - MASHA RU BY ALAIN CHANEY
15:00 - 18:00
NOVEMBER 1 + 2 + 3 + 4
4 EXPEDITIONS ZANDMOTOR
JOIN ARTIST MAURICE MEEWISSE TO ASSIST IN THE MAKING OF HIS SECOND WORK
Limited to 4 persons per day, subscibtion is needed: email@example.com
Start at 14:00 at the Electriciteitsfabriek, bring a bike and dress for outdoor; return is scheluded at 17:30.
The premiere is on November 8, in parallel with the premiere of the work of Lotte Geeven, fellow artist-in-residence in 2017.
The Making of 'Eight Working Hours' by Maurice Meewisse. Photo: Maurice Meewisse
SATURDAY NOVEMBER 3
NATURE & THE ARCHITECT
EXCARVATING THE SQUARE MOUNTAIN
Join artists Sachi Miyachi, Thijs Ebbe Fokkens and Maurice Bogaert. As three subjective tour guides they will each share the way they navigate and contemplate the space of Electriciteitsfabriek.
British philosopher Timothy Morton calls climate a 'hyperobject', too large to relate to. Zooming in or out on the landscape and climate of Electriciteitsfabriek, each artist narrates an ideal perspective of unexpected discoveries.
Sachi Miyachi, ____________ (working title). Photo: Johan Nieuwenhuize > more
Thijs Ebbe Fokkens, Every Future (is a crime scene). Photo: Johan Nieuwenhuize. > more
Maurice Bogaert, Wide / White. Photo: Johan Nieuwenhuize. > more
SUNDAY NOVEMBER 4
WORKSHOP 'EAST-WEST-THINKING CEMENT'
Onkruidenier - Jonmar van Vlijmen & Ronald Boer icw Rosanne van Wijk
14:30 - 17:00
Onkruidenier & Rosanne van Wijk connect Climate as Artifact in The Hague with the parallel artist-in-residency at Bamboo Curtain Studio in Taipei, on the island of Taiwan in the East China Sea. On both locations they bring together the ingredients - sand, burnt shells, sugar and glutinous rice - to fabricate cement according to a historic recipe brought by the Dutch from ancient China and introduced at Formosa during colonial times (1624-1662). Though the ingredients are known, there are no records of guidelines for production. How did the Dutch learn to create this strong and yet elastic cement?
This afternoon we invite you to join the research of grinding, boiling, pressing and mixing of ingredients.
The experimentation takes place simultaneous in the former industrial factory in The Hague and highly urbanised Taipei. With the raw materials they aim to bring the world of the coast (sand
shells) together with the world of the supermarket (sugar and
an artistic binder between nature and culture and between
Onkruidenier icw Rosanne van Wijk, SWEET - SWEAT. We are under construction. Photo: Johan Nieuwenhuize.
ARTISTS, DESIGNERS & WORKS
Berndnaut Smilde, Sun Following Prism, 2017 > more
Sachi Miyachi, ____________ (working title), 2018 > more
Nishiko, Repairing Earthquake Project, since 2011 - ongoing > more
Esther Kokmeijer, Deep Meaning of Voyaging, 2018 > more
Maurice Bogaert, Wide / White, 2018 > more
Aliki van der Kruijs & Jos Klarenbeek, Kadans, 2018 > more
Maurice Meewisse, Eightteen Coffee Breaks - Eight Working Hours, 2017-2018 > more
Lotte Geeven, Score, 2018 > more
Theun Karelse, Environmental Literacy, 2018 > more
Thijs Ebbe Fokkens, Every Future (is a crime scene), 2018 > more
Giuseppe Licari, Disco Stone, 2018 > more
Josje Hattink, Voice of a Sinking Landscape, 2018 > more
Masha Ru, Museum of Edible Earth: An Acquired Taste, 2018 > more
Onkruidenier icw Rosanne van Wijk, SWEET - SWEAT. We are under construction, 2018 > more