To: Firstname Lastname
Your BPS Membership No:
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Newsletter Copy - Thankyou |
A big thankyou to the members who rallied to the call for articles to fill the newsletter and so enable me to keep it going through these troubled times - these last few issues of have existed to a great extent because of their contributions. I have articles to cover the next few weeks, but looking into the future I am still going to need contributions, so please keep these wonderful collections of words coming and if you have anything you think other members would like to know about, such as special on-line events or exhibitions, photographic hints, tips and tricks, etc. please let me know at the usual address: bpsnewsletter@bristolphoto.org.uk
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On-Line Meetings
This week our meeting was presented by Guy Edwardes who showed a wonderful selection of natural history images from various locations around the world - this was a visual treat and was seen by more than 70 members, almost as many as would normally attend a Wednesday meeting at Unit 13.
Next Meeting.
A message from the Projected Image Competition Secretary, Ken Clarke:
The regrettable demise of the Annual Print Competition allied with a little more time on some members hands, has led to a large entry of 169 images into the Annual Projected Image Competition. This is clearly too much to judge and show in one evening, even if some of the entry were culled. But the judge (Rosemary Wilman) has instead willingly agreed to do the whole task over two evenings, taking advantage of the evening vacated by the Print Competition. On the 20 May, that is this coming Wednesday, the evening will contain the Club, Intermediate and Nature classes. Then on Wednesday 10 June, Rosemary will give us the results of her consideration of the Advanced class and the overall winner of the competition. See you all on Wednesday.
Ken Clarke
Print Competition Secretary
Login details for the meeting are:
Meeting ID: 869-9957-2977
Password: 1874395
Start time: 19:30hrs (Meeting will be open from 19:15hrs)
The links to all meetings can be found in the Members' Area of the BPS website, details at the foot of this newsletter. If anyone would like to dial in via a landline/mobile for voice only then email zoom@bristolphoto.org.uk asking for details and they will be provided - this applies to all Zoom meetings, including the DI Group.
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(This can be found within the members portal on our website).
N.B this recording was recorded and supplied by the speaker himself.
For those who did see it and were curious to know more about the two types of Sublime that Tom continually referred to, Gordon Stirrat has sent in the following:
Edmund Burke and Immanuel Kant
Following the talk last week about Burkian and Kantian ideas of the Sublime Gordon thought it might be interesting if he wrote briefly about Edmund Burke and Immanuel Kant.
Edmund Burke was born in Dublin on 12 January 1729. He moved to London in 1750 and developed a high reputation as great statesman and philosopher (including as we head, thoughts on ‘the Sublime’. He served as a Whig MP from 1766 and 1794. From 1774 to 1780 he was MP for a Bristol constituency when Bristol was the second city in England. In his 1774 Speech to the Electors at Bristol at the Conclusion of the Poll he argued strongly in favour of representative government against the notion that MPs are mere delegates. He argued that “Parliament is a deliberative Assembly of one Nation, with one Interest, that of the whole; where, not local Purposes, not local Prejudices ought to guide, but the general Good, resulting from the general Reason of the whole. You choose a Member indeed; but when you have chosen him, he is not Member of Bristol, but he is a Member of Parliament.” This concept has been severely compromised by recent referendums in the UK.
His contemporary, Immanuel Kant, was born on 22 April 1724 in Königsberg, then in East Prussia. He was a brilliant philosopher with a wide range of interests including somewhat different ideas from Burke on ‘the Sublime’. To me his most important contribution to philosophy is his theory that there is a single moral obligation encompassed by ‘Categorical Imperatives’ derived from his concept of duty. He argued that categorical imperatives are intrinsically valid, good in and of themselves and must be obeyed in all situations and circumstances. Two of his principles that remain relevant today are that moral autonomy is central to our humanity and that human beings should be treated as ends rather than as means. Kant’s so called ‘deontology’ (i.e. rules-based morality) is still at the heart of teaching on philosophy and ethics.
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Members who have recently applied for FIAP distinctions should have heard this month if they were successful. Please let me know if you were one of those who gained new distinctions and I will put them all together in a Roll of Honour in in next week's issue.
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Following my plea for captions to this picture by Rob Gillet, my inbox was inundated with all of one entry! However, it was quality and not quantity which marked the winner who is Paula Wride who came up with this subtle caption:
Reinforcing Social Distance.
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Continuing from previous ‘things to do’ suggested by Mike Martin. Ross McKelvey has started doing “Ten and Ten” evenings – with ten photographers showing ten images and the stories behind them.... they are long sessions but some excellent images. Here a link to one that Mike watched this week - click here
Sue O'Connell has sent in these links to interesting and useful Facebook pages:
Keep up to date with your local federation’s activities, members’ work and much else besides.
Useful site covering all things printing - printer and paper choice, printing and software issues, with regular informative webinars. Hosted by but not restricted to Fotospeed.
Thanks to Mike and Sue for these contributions
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From capture to print, there are many areas of photographic inkjet printing where image quality can be lost.
Almost every photographer is happy to invest in a quality DSLR ensuring the captured image is of a high standard. The big challenge is to maintain this high quality from capture through to print - If you can't maintain the quality that your camera captures through to print, then why spend all that money in the first place?
Supporting tens of thousands of inkjet printing photographers worldwide, seeing cause and effect, we have picked up a thing or two! Here are some easily avoided common mistakes and some useful advice to keep your print standards high in 2020: CLICK HERE
Thanks to John Chamberlin for this.
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Don't forget to enter the CV-19 conmpetition where the subject is LOCKDOWN - which you can interpret any way you wish as long as it's related to the current situation (however loosely). If you have any other suggestions for themes, let me know at the usual address.
Closing date Wednesday 20 May. Image size not critical, but the usual club competition size will be fine. As for titles - just make sure that your initials are at the beginning of the title.
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The following has been sent in by John Hudson:
Landscape Photography
As most of you will be aware I am not known for my landscape photography, indeed I don’t think I have ever entered a landscape shot in a competition!
However, in the present self-isolation I thought I should venture into another genre of photography, and landscape grabbed my attention.
Some time ago I did a day course (‘Autumn colours at Stourhead’) with Charlie Waite, one of the best known landscape photographers in the UK and a founder of Light and Land which runs many courses at home and abroad. It was a fascinating day, and Charlie proved to be a real gentleman and a great trainer. I have to admit, however, that whilst I am happy to sit in a hide to await a bird or animal’s appearance for hours on end, waiting for a cloud to pass so as to get the right light on the side of a building, just didn’t grab me. The idea of being out of bed and in place to get the sunrise shot was never going to float my boat either!
However, what I have learnt in the last couple of weeks has really got me excited!
Firstly, you can plan your landscape shots so easily now, with Google Earth Pro (available free to download) which enables you to see any destination in the world, from above, street level, or anywhere in between. It takes a few minutes to master the controls, but once that is done, the world literally is at your finger tips! Secondly, there is the Photographers Ephemeris, (easily accessed from phone or computer) which gives you the exact direction and timing of the sunrise or sunset and one can plot the location, the time, the angle and the place to rest your tripod’s legs, all from your computer screen! You really can plan your shoot down to the last detail, whilst obeying all the current rules on social distancing.
So, as the lockdown continues we can be planning and ensuring that when, and it will happen, the freedom to travel to take landscape photographs returns, you will have plans in place to make the most of every opportunity.
I have already discovered, from Google Earth, two features in the landscape within two miles of my home which I had no idea existed! Currently, I am working out how to get access, when the time comes.
YouTube
Remember, YouTube is your friend, reviews of cameras and equipment, fantastic short courses on Photoshop and Lightroom. There is something for everyone at all levels of photographic ability. This enforced leisure, for most of us and hats off to those still working in these difficult times, we can put time to good use in a pleasurable way, enhancing our photographic skills.
Another very useful source of training courses is the www.udemy.com website which has courses on must photographic subjects alongside many other topics, and currently at reduced prices. The best I have used so far was free! Again you can dip in and out as time allows.
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And Finally .................. |
Joining Zoom meetings - Viewing Etiquette:
- It would seem, judging by Zoom interviews on the BBC, that it is de rigeur to make sure that your background is a bookcase.
- Mute your microphone once the meeting has commenced - remember that if you leave your microphone switched on/unmuted then every word you say and every cough, sneeze or other sound that you make will be heard by everyone.
- Try to avoid talking over/at the same time as other participants.
- Be aware you are on camera and try to avoid doing other tasks like checking emails, looking at your phone etc. as everyone can see you - believe me, there have been some mighty strange movements during the first two meetings, almost (but not quite) more interesting than the speaker!
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To download issue 256 of the PAGB eNews, please click here. This contains an article by our own Mike Martin.
To download the latest edition (76) of Photography News, click here.
This is a new one: to download the latest issue of FIAP News, please follow this link.
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Salon acceptances: BPS photographers are now achieving large numbers of salon acceptances and constraints on time and space mean we can't include them all. So please only advise of awards or other milestones.
Contrary to popular belief, I do not possess psychic powers and need you to tell me if you've had successes. If you want to blow your own trumpet (or someone else's), then this is the place to do it. Please let me know and I'll include details in a future issue.
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Make Money For BPS Every Time You Shop On Amazon! |
Now, if you so wish, each and every one of you can support BPS with every purchase you make on Amazon by using Amazon Smile. Click on the link below – then it’s self-explanatory.
It must be easy, even I managed it!
Ed
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If you have anything to sell, or you're looking for something to buy, just let me know and I'll include it here. Please bear in mind, we only advertise items for BPS members.
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PLEASE NOTE: ALL STUDIO BOOKINGS ARE SUSPENDED UNTIL THE LIFTING OF THE COVID-19 RESTRICTIONS.
Would all members please note that before you plan your shoot and book your model, you should check whether the studio/clubroom will be free. This can be done easily and at any time by viewing the Clubroom Bookings calendar in the Members' Area of the BPS Website. Bookings can be made by contacting Mike Bigger at bookings@bristolphoto.org.uk.
Log in details to the Members' Area are at the end of this newsletter.
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Please don't forget that if you change your address (home or email), or gain additional photographic distinctions, it would be appreciated if you could let the Membership Secretary know so that she can keep her records up to date, this will also ensure that you continue to receive your newsletters - please email all changes to membership@bristolphoto.org.uk
The distinctions we have on record are those shown at the top of this newsletter. If they are wrong, please visit the Members' Area of the BPS website where you can register any changes using the on-line form provided; this form can also be used for change of address, email etc.
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For those of you who aren't sure what MPAGB, EFIAP/s and many more such seemingly random collections of letters mean, just click here to download the list.
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Missed a Copy of the Newsletter?
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To view past editions of this Newsletter, please click on the following link and then select the date(s) you are looking for - BPS Newsletter Archive
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BPS Website - Members' Area "Log in"
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To enter the Members' Area of the BPS website you will need the following:
Username - chatroom Password - pixels
If you have any problems getting into the Members' Area, please contact Carol, either by email: membership@bristolphoto.org.uk or by telephone: 0117 924 1338
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Bristol Photographic Society,
Unit 13, Montpelier Central, Station Rd, Bristol, BS6 5EE
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