Issue 424 - Bob Faris                 

                                                   2 March 2021                
To: Firstname Lastname
Your BPS Membership No:
Your BPS Membership renewal date:  
 
Hello, Firstname
 
Bob Faris FRPS MPAGB AFIAP
1922-2021
 
It is with great sadness that I have to report the death of Bob Faris. Bob had been unwell since shortly after his 98th birthday last September, mainly due to his failing heart, which had led to several hospital stays, the last of which was in Southmead Hospital two weeks ago following a gall bladder infection.
Bob was lucky to have his daughter Paula and her husband Steve, who live in North Shields but who decamped to Bristol, to look after him in October/November, unfortunately this stay turned out to be much longer than anyone expected as they are still here.
Following his latest visit to hospital he became progressively worse and sadly he succumbed to his illness last Sunday evening.
Bob will be remembered more recently for his weekly presence at the BPS Zoom meetings and it was always a joy to see him and Paula waving back to his "fan club".
 
 
Some personal recollections of Bob
 
Bob joined the Society in 1972 and was an ever-present member at meetings. He quickly established a reputation for photographing kittens. They were often situated in little sets that Bob had built. He was a very creative man and a craftsman as witnessed by the wooden sculptures that he made. He was always interested in creative photography, again making use of sets often with model figures.

He gained his RPS Associateship in 1985 and the Fellowship in 1985 in both the Applied and Pictorial sections for very distinctive photographs of distorted cellophane photographed through crossed polarisers. This work also gained a MPAGB. 
 
He was President of the Society from 1996 to 2001. 
 
For many years he was a member of Council holding the following posts:
  • Print Competition Secretary 1981 to 1985
  • Curator 1988
  • Custodian of Prints 1988 to 1989
  • Clubroom Committee member 1989 to 1998 and 2002 to 2009
 
His early years were spent in the RAF as a Navigator and later he was a draughtsman with local builders, CH Pearce.
 
Pete McCloskey
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
One of Bob's early images, part of his series on a "Chequered Theme". This time using a created tabletop & background plus one of his wooden sculptures (about 450mm tall)
 
 
When I joined BPS in the late 70's, Bob was already an established member of the club. I think he joined in the early 70's. At that time, he was working for DRG in offices overlooking Bristol Bridge and much of his work was of portraits of Persian cats which his wife bred. However, a visit to his house would have also revealed how skilful he was in designing and making sculptures in wood. These were dotted about his lounge and were to provide a basis for much later creative work.
 
Unknown to me and probably most other BPS members at the time, Bob was experimenting with polarised light and suddenly some very creative colour prints started to appear in club competitions. Bob also found Salons and Exhibitions a great place to display his work with much success.
 
In 1985 he obtained the Associateship of the RPS with his creative colourful abstract polarised images and some 6 months later and using the same process, the FRPS. His success came in two sections, the then Pictorial section but also in the Applied section. I think I am right in saying he used the same images in both sections. In each, the panel members passed his work unanimously.
 
I am not aware Bob had told anybody that he was submitting for the Fellowship, so it came as a great surprise. It was in fact the first Fellowship in the club for many years and led to other members successfully applying fairly soon after. At the time, the process he used was kept secret although in a lecture to the club many years later he did reveal MOST of the process.Through the 90's and beyond Bob continued his love affair with creative photography, joining a group at the club set up by Jim Marsden and also the newly formed RPS Creative group of which he was an active member. This later expanded to his being a regular attendee of the Western Region Creative group.
 
During this period, he used many of his sculptures in tabletops incorporating toy models to create a photo fantasy which he thought was what creative photography was all about and which also made the best use of his considerable practical skills. He built models out of card and used these in many colourful creations. Although he did other sorts of photography, there was no doubt where his greatest skill and success lay.
 
Bob was also active on Council serving the clubs members in various ways and was delighted to be elected as Club President in recognition of his photographic and organisation skills.In later years Bob found his own photography started to take a step backward, although despite finding the skills in a digital age quite a challenge he would soldier on to create what he saw in his head. He was a regular at both the weekly meetings of the club and the more informal digital group and this gave him great pleasure particularly if the lecture was a 'creative ' one.
 
Over the years Bob set up a club Creative competition, designing the rules and the trophy himself - a fitting tribute to a super photographer who inspired many others.On a personal level Bob was great fun and clearly enjoyed life and will be greatly missed.  
 
John Chamberlin
 
 
 
 
 
 

The Creative Trophy named in honour of Bob.

This was designed by him and came about after Council asked him if he'd be happy with the Society awarding a trophy in his name. The original plan was for the BPS Council to buy a cup and have it engraved with his name, however this wasn't OK, Bob had different ideas and proceeded to design his own trophy which, after much tweaking and modifying, he had manufactured by a specialist company in Tewkesbury. 

 
Bob presenting the trophy to the first winner, Barry Mead.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The Hall of Life.
One of Bob's early images created using a "pop up" white postcard (100mm x 150mm) and a couple of toys plus some coloured light and a lot of imagination.

 
 
 
I first met Bob in the early 1970’s when my father (who was a member at the time) took me to see this chap who created wonderful tabletop images and who also specialised in photographing Persian cats (which I think his wife bred). Some said that he also tried to mimic the cats with his full moustache. I remember being fascinated by the set-ups he used for his tabletops and I also remember the pride with which Bob showed off his newly constructed film drying cabinet which (if memory serves right) was a tall rectangular tube with a hairdryer mounted at the top to provide the drying system. I later came to realise that this ingenuity was at the forefront of much of his photography, from the intricate sets he created on his tabletop through to the intricate jigs he made to hold the cellophane and polarising filters he used in many of his abstract colour pictures.
 
More recently, Bob took to creating books, with his first three, My Book of Dreams (2010), Photography & Sculpture (2011) and Pictorial Polarised Abstractions (2011) featured his photography, explaining the thinking and processes behind many of his successful images. He then decided to commit his early life to print and produced two books, Navigating the Years 1939-45 (2014) which charted his wartime exploits as a Beaufighter navigator and Free Range 1922-39 (2017) which followed his childhood and early years in Dorset, right up to the outbreak of World War 2. By the time Bob came to creating these latter two his eyesight was not all it should be, and he found using the PC increasingly difficult. It was at this point that he asked if I could possibly help with putting his books together. This became a regular Tuesday afternoon visit which turned into a mixture of transcribing his notes and copying and pasting in the copious amount of typing Paula had done and chatting about his past, both pre-war and during the war, which was spent mainly in North Africa and Italy – I came to really look forward to these visits and was quite disappointed when “book production” came to an end. This was the beginning of an extremely close friendship which meant that we had many more chin-wag sessions when we put the world to rights over a cup of coffee and a ginger biscuit (or two!).
 
One of these sessions was actually a visit to the new Concord museum at Filton on the day it opened. In true Bob fashion, he inspected every exhibit closely and when we got to the Beaufighter he was almost incandescent with rage: they had put the navigator’s seat in the wrong place – how dare they! However, the best was yet to come, we managed to get the organisers to let Bob have a go on the Concord flight simulator and he set off on a flight from Bristol Airport to Filton. Sadly, plane and crew failed to reach Filton, having nosedived into the ground at Avonmouth, the excuse being given by Pilot Bob was that the controls were too responsive and that it would never have happened in a Beaufighter.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Bob, just before that fateful nosedive!

As you may have guessed, Bob came to mean an awful lot to me and for a man small of stature he is going to leave a massive hole in a lot of hearts.
 
Pete Howell  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
Probably one of the last pictures taken of Bob (by Paula). Here he is in whimsical mood after having just re-discovered his WW2 flying helmet and goggles languishing in a box in his "office"
 
Bristol Photographic Society,
Unit 13, Montpelier Central, Station Rd, Bristol, BS6 5EE