For many years, the work of the Belgian artist Angel Vergara (*1958, Mieres, Spain) has used different media such as drawing, video, installation and performance, allowing him to explore and broaden the limitations of painting both from an esthetic and socio-political perspective. His more recent works make use of film and video and it is through this flux or stream of images that he creates or renders possible “live paintings”, a painting that is created in sync with the flow of images on the screen. The same gesture takes place within a mediatized reality when Vergara appropriates existing images. His assertion of his position as a painter is nothing more than an abstract concept: when he interacts with reality, he often occupies an economic and social function though which he seeks to explore the limits of the role of the artist.
 
For the 54th Venice Biennale, Angel Vergara presents in the Belgian Pavilion the exhibition project “Feuilleton”, curated by Luc Tuymans, from 4th June to 27th November 2011.  
 
The interview with Angel Vergara took place on 28 April 2011 during the Art Brussels 2011.
 
Selina Ting
Editor, Paris 2011
 
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