Tim & Leanne Newsletter February 2013
  • CONTENTS
    • Upcoming Gigs
    • Vampire Princess
    • In Memorium Molly
    • Recording Update
    • The Irish Jubilee - Traditional Irish recitation

UPCOMING GIGS

SAT FEB 2 Montpolar Frostival
12:30 Kellogg Hubbard Library, Montpelier
Children's Program (school-aged children and their families.)

FREE This is a new event; we're curious to see how it comes off.

FEB 14-17 PREMIERE
THE VAMPIRE PRINCESS
eerie tales for Valentine's Weekend

Thurs Fri & Sat Evening 7:30 • Sun Matinee 2:00
LNT Winter Festival
Lost Nation Theater, City Hall, Montpelier
"adults of all ages" (adults, teens, and hardy older children)

The Vampire Princess and other Eerie Folk Tales

 

FEB 14-17
THE VAMPIRE PRINCESS
eerie tales for Valentine's Weekend

Thurs Fri & Sat Evening 7:30 • Sun Matinee 2:00

Lost Nation Theater, Montpelier

We think this is going to be really good, and hope you're all as excited as we are. Come if you can, get your tickets early if you want to set our minds at ease and make sure you get good seats. If you have any questions beyond the scope of the Lost Nation Theater box office, feel free to contact us.

Performances are about an hour and a half, with an intermission. They feature the official premiere of the title story a thirty minute tale we've been working on for about three years..

Its full name is "The Gypsy Soldier and the Vampire Princess." It has nothing to do with Bram Stoker or the Twilight lady. It's the real thing, a traditional Gypsy folktale collected a couple of hundred years ago in Bohemia. It's compelling, full of suspense and sardonic humor, moves a mile a minute, and is politically current-- or is it recurrent?-- in the way really good old stories seem to specialize in.

The whole show is about 90 minutes long. The title story is about a third of it. In addition to the main attraction, first half of the show includes some of the other stories from our upcoming CD. We'll play some music, maybe sing a song or two. Maybe you will too. It's a Valentine show, and folks coming expecting some of that kind of thing will not be disappointed.

After the intermission, for our second act, the audience decides how to end the evening-- warm and fuzzy, or dark and beautiful.

If you live too far away, there will eventually be a CD, and we're looking to tour with this in the Fall, so don't despair.

But this is the premiere, and it's cooking. We'd love to see a bunch of you show up.

break

Every time we tackle a new tale, we have to go through a kind of apprenticeship with it-- the longer the tale, the longer the apprenticeship. During that time, we can and do perform it from time to time-- you have to, whether it's ready or not-- but it's a lot of work in the early stages, and not necessarily a whole lot of fun for us, When we're done with one of those early performances, we're worn out.

Then, at some mysterious point, the piece (metaphorically speaking) comes to a boil, and preparation time is over. Instead of having to nerve ourselves, we start looking forward eagerly to each performance. The material is supple in our grasp, and we finish each show feeling exhilarated, livelier than when we started, and we can't wait to go again.

The writer John Kenneth Galbraith once wrote about "that easy, spontaneous quality that creeps in at about the tenth draft." That's where we are now.

rosebasket

We've been working on Vampire Princess for about three years. We've performed it quite a few times by now, under varying degrees of informality. It's always held the audience's interest, right from the start. A young man at one of our winter resorts called it "the best story I ever heard in my life," so you can see why we kept at it, it's the kind of comment that helps keep the ol' nose to the grindstone.

Until recently we were still struggling to reach that happy flow, where the story is solidly in the room along with us and the audience, happening somehow, between us and through us...

And now we're there. We're really having fun with it. It's ready for you. We can't wait! See you there! Let's have us some fun.

Order tickets here.

Download high resolution poster

 

PORTRAIT

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Our sweet greyhound Molly died in January. She was almost 15, and she went peacefully, but it's still hard. We buried her here, under the grass she liked to lie upon as she gazed out into the distance. I'll write more about her in the March issue.

 

Recording update.

As some of you know, our January recording sessions in Dorset fell through. Maybe it wasn't such a good idea to try and set up something like that at long distance. We were eager to do it, and felt let-down along with everybody else. But to tell the truth it's probably just as well. We feel like the eventual CD will like be better for having a little more gestation time..

The good news is, you didn't miss out! The new recording date will be spring or early summer, and like Wolves and King and the Thrush we're going to do it in a tiny venue somewhere near our home in Montpelier. We'll keep you posted. Let us know if you want us to save you a seat!

The Irish Jubilee

Traditional Recitation
transcribed from a performance by our friend Andy's father,
Patrick Naughton

A short time ago, boys, an Irishman named Doherty
Was elected to the Senate by a very large majority

He felt so elated that he sent for Dennis Cassidy
A man that owned a bar-room of a very large capacity

Said Doherty to Cassidy, "Go over to the brewer
for a thousand kegs of lager beer and give’em to the poor.

"Go down to the butcher shop and order up a ton o’ meat
Make sure to see the boys and girls get all they want to drink and eat.

"Send out invitations in fifty different languages
tell’em all remember they should bring their own sangwidges.

"Tell em that the music will be furnished by O’Rafferty
Assisted on the bagpipes by Felix McAfferty

"Whatever the amount’d be, remember, I’ll put the tin
And those that do not come at all, be sure you do not let them in."

Cassidy at once sent out the invitations
And everyone that came were a credit to their nations.

Some came on bicycles, because they hadn’t fare to pay
And those that didn’t come at all made up their minds to stay away

In twos and threes and fours and fives they marched into the dining hall
Young men and old men, and girls that weren’t men at all.

Single men and double men and chessmen who could pass a pawn
Blind men and deaf men, and men that had their glasses on.

Before many minutes every chair was taken
And front rooms and mushrooms were stuffed to suffocation.

When everyone was seated and we thought ‘twas time to start the feast
Cassady stepped up and says, "Give’em each a cake of yeast."

Then acting as manager, he said he’d try and fill the chair,
Then each of us sat down on ours and gazed upon the bill of fair.

There was pigs’ heads, goldfish, mockingbirds and ostriches,
Ice cream, cold cream, vaseline and sausages

Blue fish, green fish, fishhooks and partridges,
fish-balls snowballs cannonballs and cartridges.

Then we ate the oatmeal till we could hardly stir about,
Catsup and hurry-up, sweet kraut and sauerkraut

We had roast beef, naked beef, beef with all its dresses on
soda crackers, fire crackers, Limburgh cheese with tresses on.

We had reindeer and snow deer, dear me and antelope
the girls ate so much melon the boys all said they can’t elope.

For dessert we had tooth picks, ice-skip, and skipping rope
all washed down with a big piece of shaving soap.

Then the band played up old tunes and spittoons so very fine,
Then McAffery the piper handed each a glass of wine.

We welted the floor till we were heard for miles around.
When Gallagher was in the air his feet was never on the ground.

Some danced jig steps, door steps, and three-hand-reels
And they danced to the music of The Wind that Shakes the Barley-meals.

As fine a set of dancers you never set your eyes upon
And those who couldn’t dance at all were dancing with their slippers on.

When the ball was over Cassady he told us
Join the hands together now, and sing the good old chorus.

(sung)

“Should auld acquaintance be forgot? Wherever you may be,
T'ink of the good old times we had at the Irish Jubilee”

 

 

 

 

 

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