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ERA YEARBOOK CELEBRATES SILVER JUBILEE……
…4K A PHYSICAL STAR AS REVENUES DECLINE…
BRICKS AND MORTAR OUTLETS SELLING DISCS FALLS AGAIN
BASE ADDS NEW CATEGORIES TO AWARDS CEREMONY…
…AND ENTRIES ARE OPEN FOR THIS YEAR’S GONGS
OSCARS ROUND UP…
PERFECT TIMING FOR CRITERION ANORA…
…AS IMPRINT ADDS MORE FOR MAY…
ANORA DIRECTOR ANNOUNCES SECOND SIGHT PROJECT…
AND INDIE ADDS TO SLATE
SNAIL CELEBRATED
PADDINGTON: FROM PERU TO STORES
GLADIATOR SEQUEL LANDS TOO
HANCOCK PUNCHES ONTO DISC
MUBI UNVEILS MORE PHYSICAL RELEASES
ARROW REVEALS JUNE TITLES
THUNDERBIRDS ARE GO, AGAIN…
…NEW RELEASES DUE FOR 60TH ANNIVERSARY
BBFC READY TO AUDIT AFTER P*RN REVIEW
ERA LOOKS TO FUTURE
SUPPORT THE RAYGUN
TRAILERS OF THE WEEK
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It was a good week for… Thanks to everyone who responded to our new ko-fi account and donated towards The Raygun, buying us a coffee (and more) and enabling us to keep going. Your generosity, kindness and wonderful messages were all much appreciated…
It’s been a bad week for… Commiserations to all the awards season nominees who missed out, better luck in the BASE Awards (see below)…
We’ve been watching… Slade In Flame, the classic British rock movie starring Noddy and the lads, now spruced up by the BFI ahead of a May theatrical and Blu-ray release. And it looks and sounds a treat…
We’ll start with ERA, and the Digital Entertainment and Retail Association has just published its 25th annual yearbook, following on from its earlier preliminary statements about the state of the industry in 2024. It is, as the organisation notes, the "definitive statistical guide to the performance of the music, video and games sectors”. In its announcement, ERA contrasted the changes over the 25 years since its first yearbook in 1999 – not least in the fact that a quarter of a century ago, the market was 100 per cent physical. Video has, in that time, grown by a whopping 279.2 per cent, while the overall entertainment industry is now three times larger than it was in 1999, with a value, as reported here previously, of more than £12 billion. As ERA chief Kim Bayley noted: “The ERA Yearbook has over the past 25 years become an eagerly awaited reference work, and we are rightly proud of the achievements of our research and insight team led by Luke Butler which draws on data from at least six different providers to produce this definitive picture of the entertainment market. “These numbers are a stark reminder of the work done by ERA’s digital and streaming members to provide a safe, attractive and modern alternative to the pirate services which dealt such a deadly blow to physical formats in the early 2000s. The fact that these new legal services committed to paying creators for their work now account for 93.2% of entertainment industry revenues is a measure of the positive benefits they have brought to fans and creators alike.”
We’ll be dipping into the yearbook and highlighting some facts and figures over the next week or two, s we have more time to digest the numerous facts and figures contained, but there are some fascinating insights into the changing nature of the business over those years. Looking at 2024 in video, the yearbook stated: “Despite strong new releases, however, the market is still struggling to reignite any meaningful growth generally with spending on transactional digital formats largely flat versus last year and physical formats continuing to trend south. £244.5m was spent on Digital retail (EST) purchases in 2024, level with 2023, while the £136.4m spent on digital rentals (VOD) represented a 1.1 per cent decline year-on-year. DVD sales have been in decline since 2008 and, according to figures from the Official Charts, spend dipped a further 19 per cent in 2024 to just £74.7m overall – at their peak DVD sales were worth over £2bn annually. There was better news for the category’s high-def formats as combined Blu-ray/4K UHD sales topped £81.6m, up almost five per cent year-on-year, outperforming DVD for the first time ever.“ ERA went in to more detail oin those physical figures, further noting the continued overall physical decline, with DVD slipping again, but detailing the growth in Blu-ray and, more notably, 4K UHD. “As the UK’s overall video market posted a 10th consecutive year of growth in 2024, spending in the physical video segment retuned a 16th consecutive year of decline, as consumers continue to move across to digital transactional options and maintaining increasingly expensive streaming subscriptions. DVD volume sales dipped by 22 per cent to 7 million last year generating just under £75m through the tills, down 18.6 per cent year-on-year. Blu-ray, by way of contrast, enjoyed a rare bump in sales, with 4.7m units sold, delivering revenues worth £81.6m, up 4.8 per cent. When you split the Hi-Def 4K UHD format numbers out from those Blu-ray totals, growth is even more apparent with annual spend up 21.6 per cent to £31.5m. 4K now represents 39 per cent of Blu-ray value and 20 per cent of total physical format revenues.”
As for the changing nature of the market, the ERA yearbook throws up some fascinating stats about the way the business is changing; In 2015, across entertainment generally, access-based subscription services accounted for 41 per cent of revenues, in 2024, that had risen to 76 per cent. It’s even more marked in video – where ownership dominated in 2015, with 62 per cent of revenues, it now accounts for just eight per cent of revenues. It’s a similar story in retail – in 2015 there were almost 15,000 bricks and mortar retailers, including all the major supermarket chains, selling video product. In 2024 that figure was 1,463. That was around 30 per cent down on 2023, as more supermarkets exited the business, although grocers still dominate, with more than 1,000 still selling physical media. More on the ERA yearbook next week…
The British Association for Screen Entertainment is celebrating its 45th anniversary this year, and the trade organisation has unveiled plans for its annual awards in 2025 with a distinctly celebratory feel. BASE, of course, launched in the very early days of the industry as the British Video Association to try and counter the negative image and Wild West feel of the business, and it has introduced two new awards for this year’s ceremony to mark its near half-century in existence. First up is the Category Hero 45: Hero of Home Entertainment gong, which will, BASE said, “recognise an individual who has played a key part in UK Home Entertainment over the last 45 years”. And with one eye on the future, there’s also the Category Hero 45: Champion of the Future, which, as BASE noted, will “recognise an individual who is playing their part to shape the future of the industry, through innovation, future vision, and embracing and enabling change”. Meanwhile, all the other key awards will be returning – Of the Year awards, celebrating successes; Campaign for Marketing and Creative Excellence; Best In Class; Innovation and People’s Choice and Category Hero, recognising individuals and moments. And returning for a second year is the Hedy Lamarr Rising Star award.
Meanwhile, entries are now being taken for this year’s awards and tickets are now available at a special early bid rate until the end of March. Entry forms must be completed by April 11, with presentation decks in by May 2. The event, of course, takes place at its recent home of the Roundhouse, Camden, and the event is on Thursday November 13. Comment came from BASE chief executive Liz Bales, who said: “This year’s Awards are set to be an extraordinary celebration, not only of the exceptional achievements of the past year but of the incredible 45-year journey that has defined UK home entertainment. Returning to the Roundhouse, an iconic venue that has hosted so many of our most memorable moments, we’ll reflect on the legacy of our industry while looking forward to the exciting future ahead. We can’t wait to bring the entire industry together for what promises to be a truly unforgettable evening.” BASE head of communications, marketing and partnerships Louise Kean-Wood added: “We are so excited to launch the two Category Hero 45 Awards as part of our 45th-anniversary celebrations, and to bring back the hugely popular DEGI Hedy Lamarr Rising Star Award for Inspirational Women in Entertainment that debuted in the UK last year and has been received so positively. The Hedy Lamarr Rising Star shortlisted nominees were the first cohort of mentees to enter into the trial of the newly launched BASE Mentor Programme, which began in January and will run to June 2025.” Entry packs are available from here.
So, how was the Oscars for you? Well, if you’re Universal, home of Anora and The Brutalist in the UK, as well as the likes of Wicked, it was a cracking night, if you’re Netflix, which went home with a lot less awards than the 13 nominations it received for Emilia Perez, it was not so good… Last time around, after. the BAFTAs, we noted how many of the key players and titles in the running at this year’s Academy Awards were available as home premieres, as well as noting Criterion and Spirit being the first to bring Anora, now proud winner of five statues, to physical media in the UK. The past few days have seen a raft of further announcements for forthcoming physical releases. You could easily argue that Coralie Fargeat’s shocker The Substance deserved more than the one gong it came away with on the night (for Best Achievement in Makeup and Hairstyling), not least to reward Demi Moore for her remarkable turn as fading star Elisabeth Sparkle, but MUBI, which has already had the title on its svod service, was sharp to act and announce a forthcoming physical release for the title. The Substance is due, in. DVD, Blu-ray and 4K UHD formats on March 31, the latter two coming complete with a set of art cards. This was announced and confirmed on Monday, hours after the ceremony, with news that A Real Pain, which saw Kieran Culkin getting an Oscar and further recognition for his supporting role, was due via Elevation on April 7, following on hot on its heels. Spirit also issued a further press release flagging Anora’s Oscars success and its forthcoming Criterion release.
Among those celebrating the Academy Awards ceremony this week were the combined forces of Spirit and Criterion, as the former is offering up the first opportunity to get their hands on this year’s big winner Anora when it brings the Sean Baker film to UK consumers in May under the Criterion banner. Anora, in case you missed its high profile success at this year’s Oscars ceremony, picked up five gongs on the night, with director, writer, editor and producer Sean Baker taking home four statuettes on the night alongside Best Actress Mikey Madison. It’s an amazing feat for the independent film, one of the least expensive to garner nods at this year’s event – as many commentators noted, this year’s Best Film field were all relatively low budget outings, with a distinct lack of blockbuster bluster in the nominations. It now heads on to the Criterion Collection in May, complete with a raft of extras, on the back of its huge awards season success, giving Spirit’s Criterion release the perfect launchpad. The company’s Tracy Niland said: “Absolutely amazing to see Sean Baker making history himself at the weekend with four Oscars for himself alongside Mikey Maddison’s Best Actress win. All the awards season noise and accolades can only prove positive for the release which has been put together with Baker’s personal involvement with some wonderful commentaries, interviews and featurettes - we are looking forward to May 5 and consumers getting their hands on the product.
Staying with the Criterion Collection and just ahead of the Oscars, the imprint, which is marshalled in the UK via Spirit, unveiled the rest of its titles joining Anora in the collection in May, with the May 5 release being more than ably supported by artist biopic Basquiat, which tracks the life and times of the graffiti writer turned darling of the New York artworld (on May 12) and classic Japanese cinema in the shape of Ugetsu, from director Kenji Mizoguchi. Spirit’s Tracy Niland said: “Basquiat is coming to 4k and Blu-Ray for the first time ever in the UK the week after on May 12. With a beautiful 4k restoration of the black and white version of the film, this release gives the film the viewer a renewed rawness a new way to experience it. Previously only available on VHS and DVD it looks remarkably different to how you will have seen it previously. Alongside extras including a commentary and interviews (one with Bowie), the release also features new artwork by the director himself, Julian Schnabel. Ugetsu, one of the most renowned works from Kenji Mizoguchi, arrives on 4k for the first time. With a 4k restoration that had Martin Scorsese as one of the consultants on the project, you know it is going to look as beautiful as possible. Alongside a host of special features including a commentary and some documentaries – it is released on May 19."
One company that had a surprise boost on the night was Second Sight, which is currently working on what was am unannounced release from Best Director (and multiple Oscar-winning) Sean Baker. Film social site Letterboxd unveiled some unseen BAFTA red carpet footage ahead of the Oscars ceremony to its 700,000 plus followers in which Baker said he was currently putting together a 4K release of one of his breakthrough films, The Florida Project seven years after its release. He name checked the Brit indie imprint after saying that, post-Academy Awards, he is set to interview its child stars Brooklynn Kimberly Prince, Valeria Cotto and Christopher Rivera. “Right after the Oscars,” he told Letterboxd, as revealed to the site’s 700,000-plus Twitter followers (and more across other social media networks), “we’re headed to Florida to interview the kids [from the film] for a new 4K release that’s being put out by Second Sight, a UK-based company. Brooklynn is 14, Valeria is 14, Christopher is 17. It’s pretty crazy, we’re going to have a whole reunion. No break, right into the next thing.”
As far as announcements go, this one was pretty impressive – and offered up a huge reach. Second Sight wished Baker and his Anora crew the best of luck at the Oscars, adding: “We’ve been working together on a world premiere 4K release of The Florida Project and it’s going to be very special!! Full details soon!” And of course, congratulations were due after the ceremony too. Second Sight’s Chris Holden said: “It was great to see Sean Baker mention our upcoming 4K release of The Florida Project to such a wide audience. We’ve been working together on this for a long time and with the fantastic support he’s giving us it’s going to be a very special release for this incredible film.”
Sticking with Second Sight, and the label used a more traditional route – messaging through its mailing list and social media – to unveil a brace of titles due in April, both horror-related. First up is one of last year’s most-talked about shockers, The Coffee Table, the second `The House Of The Devil, Ti West’s superlative 80s horror homage that is, to our mind, one of the best genre films of the 21st century (we've still got our limited edition promo VHS issued by Metrodome on its initial release). Second Sight’s Chris Holden said: “Following our release of Ti West’s The Sacrament we’re thrilled to be giving our collectors edition treatment to The House of the Devil, complete with a whole host of new extras. Also in April sees our release of The Coffee Table, one of the most talked about horrors of last year, if you’ve seen it, you know why!”
Our last Oscars-related story comes from Memoir Of A Snail, from Modern Films, which failed to win in the animated category. It’s a cracking film and deserved success (mind you, we always cried during the trailer for the eventual winner Flow), and is, we believe, getting an all-0singing, all-dancing physical media release from the indie later this year, but the success is being marked on Monday March 10 with special relaxed screenings across the Picturehouse chain, while director and creator Adam Elliot is being celebrated with the streaming of his collected short films on app- and Amazon-based SVOD service ShortsTV. ShortsTV VP for acquisitions for EMEA Simon Young said: “From Uncle in 1996 to the Oscar-winning Harvie Krumpet (narrated by Geoffrey Rush) and Ernie Biscuit in 2015, Adam Elliot’s five short animations are probably the best-known and best loved “Claymation” films on the short film festival circuit, having screened at over seven hundred festivals. To acquire all five of these unique and timeless films was a huge coup; they are precisely the elite-standard of animated filmmaking that ShortsTV is always keen to add to its catalogue and promote and which we know our audiences around the world will thoroughly enjoy and treasure.”
While it didn’t win much during awards season, there’s no denying the continued power of Paddington and the recent Studiocanal release of his latest outing, Paddington In Peru, saw the company and hmv almost literally pushing the boat out to mark the release. The retailer and distributor collaborated on in-store activity, including in-store searches for Aunt Lucy that earned successful entrants a Paddington mask and lots of point of sale and, in selected stores, special windows too. Studiocanal’s Will Fraser said: "We’re delighted with how our little bear landed across all things retail, partnerships, and media. Our HMV store takeovers in Norwich and Manchester were a particular highlight of the campaign at physical retail, and we loved seeing the incredible support across our digital partners such as Prime Video and Sky Store. Huge thanks to all the teams involved who helped bring this to life.” You can see an example of the retailer’s social media support here.
“I do a lot of other films, so I was always busy… evolving something and after a while I started to think about a sequel… And that we tried five years ago and it defeated us, so we let it go. and then restarted the engine about a year, two years ago or so. We talked about a sequel over years and we were also respectful of how many things had gone right on the first one.” So says uber-director Ridley Scott, outlining how he and the producers behind Gladiator II hit upon the ideas behind the sequel to the massive first film. Scott and the team discuss figuring out where to go with the plot, and to make a “non-rip-off sequel” that would tie in and be inspired by the first, but not over-shadowed by it. It’s featured in one of the many excellent extras included in the new home entertainment release of the film, which hit the shelves on Monday March 3 across multiple formats, from Paramount via Spirit. It’s a hefty package weighted with extras and includes plenty of insightful material, not least Scott’s own closing words in one of the additional features. “I look at period film, the various ones I've done, and I learn one thing – that we have never, ever learned a lesson. We keep repeating history again and again and again. So, history to me is all always more interesting than present day.”
More out this week and Studiocanal had a brace of titles landing in stores on March 3 starring legendary British comic Tony Hancock in two of his feature length outings, The Rebel and The Punch And Judy Man, under its Vintage Classics banner. The company’s Piers Slade said: “We are thrilled to welcome two films starring comedy legend Tony Hancock into the Vintage Classics collection. These releases are complimented by fantastic brand new extra content, including interviews with comedians Paul Merton and Diane Morgan.”
Back to MUBI, and the streaming service and distributor MUBI is returning to the world of physical media with a bang in 2025 with a busy slate of releases based around some of its recent theatrical and streaming hits ahead of The Substance release (see above). It has just confirmed a clutch March biggies in the shape of Dahomey and Bird, due on the 10th and 24th of the month respectively. The former is part documentary part dramatised account of the return of treasures and artefacts plundered from the titular kingdom by France in the 19th century and their return to their country of origin, now Benin. It scooped the Golden Bear at the Berlinale in 2024 and aired at the London Film Festival to further acclaim before its theatrical. Due two weeks later, Bird is the latest from Brit director Andrea Arnold and stars the very-now Barry Keoghan in a tale of marginalised groups living on the edge of mainstream society in north-west Kent. It too has received critical praise and, given its set in our old home town of Gravesend, was one of The Raygun’s favourite films of 2024. Both are available on DVD and Blu-ray.
Also announcing forthcoming titles over the past week or so was Arrow, which, as is traditional for its Arrow Video imprint, went on social media on the last Friday of the month to reveal its wares for a forthcoming month. This time round it presented its May titles and here’s the company’s Dean Lawson talking us through its titles for the merry month. He said: “Return to Crystal Lake and then jet off into space with Jason Goes To Hell and Jason X, presented in 4K UHD for the first time in the world. We’re also releasing a 4K UHD of sci-fi classic, The Andromeda Strain. I Will Never Leave You Alone comes from an emerging voice in independent American cinema, and Steppenwolf, from director Adilkhan Yerzhanov from Kazakhstan make up two new releases in May we’re excited to feature on the label. Closing out the month is the second film in The Dollars Trilogy, For A Few Dollars More presented in both 4K UHD and blu-ray Limited Editions. What needs to be said about this masterpiece?!”
Almost since the dawn of what used to be known as sell through video – the ones you buy, latterly retail video (it just became a DVD or Blu-ray after the great rental shop cull of the past 15 to 20 years or so) Gerry and Sylvia Anderson product has become synonymous with home entertainment, as eager fans of the duo’s greatest creations, such as Captain Scarlet and Stingray, rushed to buy product from the creative puppetry powerhouse. Anderson product led the way in terms of first singular video releases, then in lavish box sets in the 1990s and, as the decade wore on, it was reinvigorated first by the likes of Thunderbirds being reborn due to repeat screenings drawing in a whole new generation of fans, and collectors alike. Now Anderson Entertainment, the home for Supermarionation product, has announced it is expanding its home entertainment licensing deal with ITV Studios, meaning, as the company said in an announcement, it will be releasing "many classic Gerry and Sylvia Anderson productions through special, limited edition Blu-Ray and 4K physical releases". Chief among those will be a “definitive” release of Thunderbirds on Blu-ray to mark the series’ 60th anniversary die to take place in September this year, with Anderson Entertainment adding: “This release will see the series restored to its original 4:3 aspect ratio and mono soundtrack, in pristine high-definition, as well as including a host of brand new features for a new generation of fans and collectors alike.”
Those new additional features with, Anderson Entertainment said, include the three specially created new episodes that used the Andersons’ Supermarionation techniques to bring old Thunderbirds audio plays to life. Previously only available through Kickstarter backers and via ITVX, it’s their first proper release. More details are set to be revealed in the coming months, but in the meantime, Anderson Entertainment's md Jamie Anderson said: “This partnership marks another exciting milestone for Anderson Entertainment’s partnership with ITV Studios as well as for the growing community of collectors and fans who love these shows as much as we do. The 60th anniversary of Thunderbirds is a momentous occasion, and being able to release the series in its original 4:3 ratio is something we've worked hard to make a reality. Fans have been asking for this for years, and I’m thrilled we can finally deliver it as part of this special edition.” Christina Lima, VP of Brand Licensing at ITV Studios, added: "The legacy of Gerry and Sylvia Anderson's series is unmatched, and the demand for special, high-quality editions of these shows continues to grow. We’re delighted to extend our collaboration with Anderson Entertainment, enabling fans to enjoy these timeless classics in a way that celebrates their heritage. We look forward to seeing how fans embrace these new releases."
Adult DVD may not be a thriving or massive part of the industry in these online days, but it’s been interesting to note the debate surrounding the publication of a report on to p*rnography (asterisked due to firewalls, not because we’re overly sensitive) put together by Baroness Bertin at the behest of the last government – Creating a Safer World - the Challenge of Regulating Online P*rnography. What’s perhaps most interesting from our perspective is that while regulating online material is hugely complex and difficult, there’s far less outrage over it than there was against adult and horror material during the video nasties furore more than 40 years ago – and subsequently. Video was always held up as some kind of beta noire and Wild West, but the way adult material is regulated in what is referred to throughout the report as “offline media” – physical media to you and me – is held up as a the standard for how online media is regulated. One of the report’s key findings is laid out bare: “This disparity between the online and ‘offline’ world cannot continue. P*rnographic content that would be refused classification in the ‘offline’ world should not be available to view online.”
The BBFC has welcomed the report, saying that it was happy to work with the government on Baroness Bertin’s recommendations and would be prepared to take on a formal role as auditor. In a statement the classification body said: “As the UK’s statutory regulator of film and video content, the classification of offline p*rnographic content has been a key part of our role for decades. However, for many years, we have been concerned about the accessibility of violent and abusive p*rnography online that we would not classify and therefore would be illegal to distribute offline, on physical formats such as DVD and Blu-ray. We know that this concern is shared by people across the UK, and there is a growing body of evidence which demonstrates the impact of harmful pornography on society.” BBFC president Natasha Kaplinsky said: “The BBFC welcomes Baroness Bertin’s thoughtful and ambitious report. For too long, violent and abusive pornography that would be illegal to distribute offline has been freely available online – to children and adults alike. It is no surprise that the review has found this content, and its influence, to be deep-rooted in society; its harm potential, abundant. We believe parity between how pornographic content is regulated offline and online can be achieved. We’ve been regulating offline pornographic content for 40 years and we stand ready to work with the government on the recommendations of the review to better protect audiences online – including by bringing our unparalleled expertise to take on a formal role auditing online pornography.”
We’ll end, or almost end, where we started and with ERA, as the organisation has created a new Future Leaders Programme to celebrate and help nurture executive talent across entertainment retailers and digital entertainment companies. The objective, ERA said, was to “incubate fast-rising young executives, provide networking and mentoring opportunities and to ensure new voices are heard in the fast-changing digital entertainment and retail landscape. The first five recognised – they will be joined by a new Rising Star Award at ERA’s annual Entertainment Champion Awards, are Mitch Page, 29, senior label relations manager, Amazon Music; Georgia Butler, 24, events manager at Brighton independent store Resident Music; Melanie Davis, 29, product manager, supply chain, Songtradr; Josh Holland, 28, strategic partner manager, label development at YouTube and Esme Pitts, 29, commercial manager, Sky Store.
Comment on the new ERA Future Leaders Programme came from Esme Pitts, who said: “I am super-happy and honoured to be selected. From the meetings I’ve had with ERA, it’s a real safe space and a place for collaboration. It is an industry body I want to be associated with. I want to help improve and evolve the industry I work in and to have a voice in the room.” ERA CEO Kim Bayley added: “The launch of our Future Leaders Programme is one of the most significant developments at ERA in recent years. We are delighted to support the next generation of leading executives on their journey and look forward to benefitting from their insights into the future of digital entertainment and retailing. I am confident that ERA and the broader industry will be enriched by their work.”
Oh, and a final word – thank you again to everyone who supported The Raygun and our newsletter by donating to our lo-fi over here. We can’t thank you enough for supporting independent journalism and the last remaining video trade publication. Your donations will help us to continue to bring news, opinion and more form an industry we still love and passionately believe in. And yes, we are sorting that event out for industry members past and present. More news on this next week…
TRAILERS OF THE WEEK
Fifty years old this year. Newly restored. More on this later – it’s The Sweeney…
Gareth Evans returns…
“There’s no negotiating with monsters…”
Something about a mob gathering for this one or something…
Not a Marvel film…
Electric stuff…https://youtu.be/QIw6ITiwgBU?si=eFv69-dTkY_gWRoh
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