Our expanding cities have been named people’s largest artifact. But it was the Dutch landscape architect and emeritus professor Dirk Sijmons, who recently wondered whether by now the climate might be our biggest artifact. Defining people as nature and the climate as an artifact could just be a philosophical or linguistic exercise. It is what brought us to the question ‘who is nature?’ Redefining these concepts through art could be an essential task though, for this requires an intensive and constructive use of people’s sensitivity and imagination. Visual narratives and artistic actions that invite the public to go outside their ‘comfort zones’ and perceive the world with a critical but open mind, could cause these valuable sparks that make a lasting impression. It helps us to bring abstract concepts or things that are seemingly beyond our control, closer to ourselves. Climate is a hyper object. We know that it exists, but we can’t comprehend it, as the British philosopher Timothy Morton stated. Materializing ideas through art and redefining climate as an artifact, as something we make, helps to increase our sensitivity and to see connections within the natural world and between our actions and our environment.