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BBFC ANNUAL REPORT REVEALED
RECORD NUMBER OF CINEMA FILMS SUBMITTED
HOME ENT SUBMISSIONS DOWN, BUT TOTAL MINUTES UP
A SPOONFUL OF PG AS POPPINS IS UP…
…WHILE CARRIE IS NO LONGER 18
HOME ENT TITLE THE ONLY FILM DEEMED UNSUITABLE IN 2024
OFCOM ASSESSES STATE OF HOME VIEWING
MORE MEDIA CHAMPIONING PHYSICAL MEDIA
“YOU NEED THE DVD” SAYS NYT
DIVA RETURNS AS STUDIOCANAL SPONSORS EVENT
POTATO SET TO BE A SMASH
HEARTS GETS REVIVED
BEST SELLERS OUT THIS WEEK
SUITS YOU SIR…
…AND MORE CULT TITLES FROM STUDIOCANAL TOO
EUREKA ANNOUNCES OCTOBER SLATE…
…WITH MARTYRS UPPING SHIP DUE TO REACTION…
…MORE FROM EURKA
POWERHOUSE DIARISES OCTOBER RELEASES…
…WHILE ARROW OFFERS HEFTY OTOBER SLATE TOO
ORIGINAL SINNERS CONTENT ON BLU-RAY RELEASE
SPOTTED OUT AND ABOUT
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TRAILERS OF THE WEEK 
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It was a good week for… Lilo & Stitch's dominance at the box office moves over to home ent, as its home premiere release pushes it to top the Official Film Chart…
It was a bad week for… Marginally less submissions for physical media titles in 2024, said the BBFC …
We have been watching… We've caught up with box office hit Fantastic Four, as well as the marvellous Sinners Blu-ray from Warner… The BBFC has unveiled its annual report for 2024, which, as ever, makes for fascinating reading, from the headline news it reveals right through to tiny details about individual titles. And it’s been a record 12 months – for last year was the highest number of film submissions ever recorded by the classification body. Some 1,256 films were classified for cinema release in 2024, up 13 per cent from the previous year and the highest number in 113 years of UK classification. The 15 certificate accounted for just over 40 per cent of those, while 18 ratings, with just four per cent, were the least common. Over on home entertainment, there were slightly less physical media submissions, with just one per cent less titles submitted last year (4,342 in 2024, just 58 less than 2023). But the amount of minutes rated actually rose in 2024 on packaged media, up from 158,159 to 176,004. Much of that rise was down to the growth in anime, which accounted for a whopping 38 per cent of all packaged media classified in 2024.
The BBFC further trumpeted its work with vod operators and streamers, highlighting the fact that it is now working with no less than 35 different platforms, with the organisation further noting that it strengthened its ties with both Amazon and Netflix (it started a pilot self-rating scheme with the former in 2024, which has just been firmed up going forward and further extended its similar arrangement with the latter last year). It also highlighted its work in tech innovation with its AI tool CLEARD, which, it said, “has been developed in collaboration with international regulators and partners to make it easier for digital platforms to adopt BBFC age ratings quickly, accurately, and at scale”. It further pointed to its dual rating system, which makes it easier for cinema classifications to be reissued for home ent titles, saying: “Our Dual Rating service was launched after a 12 month pilot in 2023 with Warner Home Video, NBC Universal and Spirit Entertainment. The pilot demonstrated that the service could deliver significant benefits to BBFC customers without compromising our responsibilities under the Video Recordings Act 1984. Pilot programs such as these, in close collaboration with our customers, are an important part of improving our service and processes. We thank these customers for working with us to develop this. In its first year, the Dual Rating service saved over 193 hours in viewings of duplicated submissions from 19 distributors.”
Comment on the report came from BBFC president Natasha Kaplinsky OBE, who said: “2024 was the BBFC’s 112th year of helping people across the UK view what’s right for them – and what a remarkable year it was. We classified more cinema features than ever before, and we have made significant progress towards extending the coverage of trusted BBFC age ratings on streaming services through new deals with Prime Video and Netflix. We launched our revised Classification Guidelines – ensuring that the standards we apply when classifying content continue to reflect the views of UK audiences. Perhaps most exciting of all, we have continued our pioneering work with AI, ensuring that the BBFC remains at the forefront of film and digital content regulation. It has been a genuine privilege to lead the organisation at such an exciting and transformative time. Chief executive David Austin OBE added: “Once again, 2024 has demonstrated the film industry’s resilience and adaptability in the face of ongoing challenges. Despite disruptions to the release schedule caused by Hollywood strikes in 2023, as well as the sad news of cinema closures across the UK, it was encouraging to see such a rich and diverse selection of films reaching UK screens. From Deadpool & Wolverine to Wicked, All of Us Strangers to The Substance, 2024 offered plenty to remind us all of why we love going to the cinema. The year also saw an increase in the volume of content submitted to the BBFC for classification. We classified a total of 1,256 cinema features across 2024, which marks an all-time record and demonstrates that after more than a century of content classification, the BBFC’s work remains just as vital as ever.”
We’ll have more on the BBFC report next time, but there are a few key elements worth noting before then. Firstly, and the favourite for national newspapers and the likes, is about complaints: there were 224 of these about BBFC ratings in 2024, with almost a quarter of them, 56 in total, about the upgrading of Mary Poppins from U to PG, a move recognising the dubious use of the word “hottentots”. The next was the perennial thorn in the side of the BBFC, The Abyss, one that we’ve covered here extensively in recent years, which had 17 complaints about the cut to a scene involving a rat (as the BBFC report pithily notes “regarding the complaints surrounding its release, the BBFC is not involved in releasing films and therefore does not hold information on release plans: this is a matter for the film's distributor”). Dune: Part Two (too strong for 12A, too many knives) was the only other film to receive more than 10 complaints. The eight for Deadpool & Wolverine highlights the kind of problems the BBFC faces – three said it was too high at 15 and should have been a 12A, five said it should instead have got a higher 18.
As ever, downgrading classification is also one of the more interesting elements – not least for the fact that once shocking films are now deemed a lot less difficult than they once were. Take Carrie for example, a video store staple from the dawn of the video industry to today. As the report noted: “We classified the film X (a now defunct rating meaning no admission to people under 18) for its original cinema release in 1976, and subsequently 18 for home entertainment releases in the 1980s, 1990s and 2000s. Key scenes include a teenage girl using powers to both trap people in a burning building and attack a person using sharp implements. Under our present guidelines, these scenes are comfortably accommodated at 15. For Carrie’s 2024 re-release, we classified the film 15 for strong horror, violence, bloody images, domestic abuse and nudity.” Also downgraded were the likes of The Crow (the 1994 one) and Fight Club.
Another interesting element to note from the BBFC report is how some of the year’s most problematic releases were on the home entertainment side as boutique labels continue to bring contentious titles back to the public eye. The only title that was deemed unsuitable for release in 2024 was shocker Reality Killers. The report said: “In accordance with our guidelines and policy, the BBFC considered whether the film’s issues could be adequately addressed through intervention such as cuts. As Reality Killers consists almost entirely of scenes of sadistic violence and abuse, we determined that cuts would not effectively address these issues. The film, when taken as a whole, transgresses BBFC Classification Guidelines and policy, and we concluded that its classification even at 18 would run contrary to broad public opinion. The BBFC therefore found Reality Killers to be unsuitable for classification, meaning it cannot be released on physical home entertainment formats, such as DVD and Blu-ray, in the UK. In cases where a piece of home entertainment content is found to be unsuitable for classification, the submitting company has the right to appeal to the independent Video Appeals Committee. In this case, no appeal was sought against our decision.” Other titles under the “Legal Issues” heading included home entertainment titles which transgressed child sexual abuse and animal cruelty laws, such as Private Lessons, Slap The Monster On Page One, Serie Noire, At Close Range and The Good, The Bad, The Weird. More on this next week…
Also on the annual report side, OFCOM issued its yearly look at the public’s viewing habits the headlines of which highlighted how Gen Z viewers are increasingly turning away from broadcast TV, although this still accounts for more than half of home viewing, YouTube is catching up. It said: “Overall people spent an average of 4 hours 30 minutes per day watching TV and video content at home in 2024. And while broadcast TV still accounts for the majority of in-home viewing (56%), audiences are increasingly turning to YouTube. The platform is now the second most-watched service in the UK, behind the BBC and ahead of ITV. At home, people spent 39 minutes on YouTube per day in 2024, with 16 minutes of this via the household’s TV set. Younger adults aged 16-34 are driving this trend, watching 18 minutes of YouTube a day on TV, while one in five (20 per cent) children aged 4-15 head straight to the app as soon as they turn the set on. But it’s not just Gen Z and Alpha driving this trend. Over 55s are now watching nearly double the amount of YouTube content on their TVs compared to the previous year (11 minutes per day in December 2024, up from just 6 minutes in January 2023). Last year, 42 per cent of all YouTube viewing by this age group was on a TV set (up from 33 per cent in 2023).
The last newsletter kicked off with a look at the media’s slow move away from streaming and back to physical media, as journalists profess their love for shiny discs to watch films on and everyone concludes that films and TV on disc are having their vinyl revival moment, a trend in newspapers, magazines and online that has been ongoing for some months now. Of course, as we have oft pointed out, it’s far more nuanced than that, but the flow of press coverage can only be good for disc-based sales. Last newsletter it was the newspaper known as the establishment’s paper of record, The Times. Well, since we were last here another it’s one of The Thunderer’s American counterparts, one similarly known as a journal of record in its own country – the New York Times. Under the headline of When Streaming Won’t Cut It, You Need the DVD and with a standfirst below it noting “Streaming is dominant for movies and TV shows. But some fans still insist on physical media”, it runs through the by-now familiar arguments in favour of physical media, with apposite quotes from those in the know, including recently opened New York video store Night Owl (one that was featured here in The Raygun). Again, many in the industry will know this and we at The Raygun, in common with others, are film believers in physical media sitting alongside digital and streaming offerings, but the trickle of stories like this, while not becoming anywhere near a flood, is certainly starting to resemble something like a stream.
We’ll let you peruse the store at your leisure over here, but here’s a key highlight that acts as a teaser: “In the last decade or two, the story of physical copies of movies and television has been overwhelmingly one of decline. Blockbuster is essentially gone, streaming is ascendant, Netflix no longer sends DVDs through the mail, and Best Buy no longer stocks them in its stores. Many manufacturers have ceased making disc players. Retail sales of new physical products in home entertainment fell below $1 billion last year, according to the Digital Entertainment Group, an industry association. Yet amid the streaming deluge, there are signs — small, tenuous and anecdotal, but real — of a rebellion. Alex Holtz, a media and entertainment analyst at International Data Corporation, compared Blu-rays to vinyl albums. Holtz, an audiophile, gladly streams new music while on walks, but he buys records he loves. ‘We’re in a back-to-the-future moment,’ he said.” The feature concludes with another positive mention for Criterion and its Closet Picks as being a great advert for the joys of physical media and a quote from Night Owl, noting: “What has maybe most marvelled the more serious physical media boosters is how their hobby or passion has become kind of cool. Criterion Closet videos, in which film personages stand in the middle of Criterion’s roster of discs and excitedly snag their favourites off the shelves, has become a viral hit. And Williamsburg — a neighbourhood that has exported its sensibility across the world — now has a video store. ‘We’re older millennials,’ Aaron Hamel, of Night Owl, said. ‘We’re shocked by the number of college-age people coming in and buying a couple five-dollar DVDs to go home and watch together.’"
We mentioned the Cinema Rediscovered festival which took place in Bristol in the last edition of the newsletter, not least because of the involvement of Radiance, which set up stall around the airing of two of its recent releases at the event, including the completely bonkers Themroc. It’s also worth noting that Studiocanal was closely involved with the hugely successful even which took place at the city’s Watershed cinema and adjacent Megascreen IMAX venue too, between Wednesday July 23 and Sunday July 27. The company took the opportunity to screen two of its forthcoming restorations due on home entertainment formats later this year; with the brace perfectly highlighting the breadth of Studiocanal’s catalogue and its work in the area of restorations. First up, premiering on the Megascreen, was the new restoration of 1980s French classic Diva, a huge rental hit at the artier end of the spectrum courtesy of Palace’s video arm after its release. This stylish, super-cool French opera-set thriller went down a storm, and, after the dust had settled and the festival finished, Studiocanal confirmed the imminent home entertainment release of the 4K restoration, with the project landing in stores on October 6. The Blu-ray and 4K UHD for the first time release comes with extras noting the film’s seminal place in French cinema history and looks further at Jean Jacques Beineix’s film and its cult standing. The film was first unveiled for an international audience at Bologna’s Il Cinema Ritrovata event and, after airing at Cinema Rediscovered, will screen at the BFI on the Southbank in August. Commenting on the film and the company’s support for Cinema Rediscovered, Studiocanal’s John Rodden said: “We’re very proud to be a sponsor of Cinema Rediscovered which is a crucial event for fans of classic cinema. It was great to showcase some of our upcoming restorations there including Diva, which looks amazing on the big screen” ”
The screening of Diva was followed by another premiere for a lesser known but no less important film, the rarely-seen slice of civil rights era American in the shape of One Potato, Two Potato. The home entertainment release of this new restoration of a 1960s tale of interracial marriage, a low budget title that was elevated by the raft of awards and acclaim it won after airing at Cannes, was announced just ahead of its Cinema Rediscovered screening, with the title due to land on October 13, a Blu-ray first, alongside DVD and digital and a raft of extras. Studiocanal’s Piers Slade said: “One Potato, Two Potato is an important, underseen film that was ahead of its time in many respects. We're thrilled to be releasing this film and hopefully bring it to new audiences.”
There’s been a flurry of activity from Studiocanal in terms of its classic catalogue titles. Last Monday (July 28) saw the release of Hearts Of Darkness, its new restoration of arguably the finest documentary about filmmaking ever. The film charts the making of Francis Ford Coppola’s Apocalypse Now, outlining the numerous problems the director faced (some of which were of his own making). As noted here recently, it’s a cracking film and Studiocanal has done a fine job with the packege. Comment on the release came from the company’s Alison Arber who said: “We were thrilled to be working with Zoetrope once again to release a brand-new 4K restoration of seminal documentary Hearts of Darkness. Coppola’s late wife Eleanor recorded and documented the infamous production of Apocalypse Now, resulting into a rare insight into the work of a genius. The 4K UHD collector’s edition is out now and includes a copy of Eleanor’s book Notes: The Making of Apocalypse Now. We were also honoured to interview the man himself Francis Ford Coppola and director of Hearts of Darkness Fax Bahr for a very special edition of STUDIOCANAL PRESENTS: THE PODCAST, hosted by Film Stories Simon Brew.”
Still with Studiocanal, this Monday, August 4, sees the release of a brace of titles starring legendary British comic Peter Sellers, with the dual release of Heavens Above! and Two Way Stretch tying in with the centenary of the comedy great’s birth, but also with a month-long season at the BFI Southbank which will be airing both these two 4K restorations (and featuring a world premiere of a new 4K upgrade of another Sellers Studiocanal title, Only Two Can Play, as yet unannounced for home entertainment. Studiocanal’s Alison Arber said: “We were thrilled to add two more Peter Seller’s classics to the Vintage Classics collection – Heavens Above! and Two-Way Stretch. In the year of his centenary, these brand-new restorations highlight the incomparable comedy legends imprint on film history. look out for more releases next year, as we continue to honour his legacy.”
More tying in with film events, and there’s another Studiocanal restoration airing at the Edinburgh International Film Festival, as a new 4K enhanced version of The Man In The White Suit, one of the all-time Ealing greats, gets its world premiere on Tuesday August 19. The premiere of the Alec Guinness-starrer will be followed by a two-disc 4K UHD release on September 15, featuring a raft of extras on disc, including a new commentary and film historian Matthew Sweet looking at the film, with a 64-page booklet and an A2 poster. Studiocanal’s Alison Arber, again, said: “Following on from our new restoration of The Lavender Hill Mob, we were thrilled to announce another Ealing comedy classic coming out in 4K – The Man in the White Suit. Starring the incomparable Alec Guiness, the film is looking brighter and shinier than ever before, in a brand new 4K UHD collector’s edition with booklet and poster – out September 15.”
And just announced as The Raygun went to press were two releases under its Cult Classics banner, with both The Hellbenders and Baby Blood landing on October 6. The former us a Tarantino-approved spaghetti Western, featuring a score from Ennio Morricone, and the first-ever Blu-ray release coming complete with a commentary from film director and Moviedrome presenter Alex Cox. The latter is getting its first-ever release in the UK and is, the company said, “a bonkers mix of early Peter Jackson-style extreme splatter, Frank Henenlotter’s Brain Damage, and Cronenbergian body horror - and features a superb, uncompromising lead performance from Emmanuelle Escourrou, that recalls the sensuousness of Beatrice Dalle in Betty Blue and the intensity of Isabelle Adjani in Possession”. Both titles come with a set of art cards. Studiocanal’s Piers Slade said: “We're delighted to further grow our Cult Classics label with these two fantastic additions. We've got a lot of exciting plans for the range and more great titles to come.
There have been a slew of announcements from boutique labels over the past week or so, with three imprints we regularly cover here – Arrow, Eureka and Powerhouse’s Indicator series, all unveiling titles due out in October. We’ll start with Eureka first, not least because its package announced for Halloween includes a film getting its first ever 4K UHD release anywhere in the world and has drawn a strong response from consumers. Introducing its October slate, the company’s national accounts manager Marcus Garwood stated "October; traditionally the month for all things edgy, mysterious & horrific. Well we have you covered on all fronts here at Eureka Entertainment across a month packed with four essential limited collector’s edition releases. We start off with a deeply philosophical and challenging work of extreme cinema in the shape of Pascal Laugier's 2008 masterpiece Martyrs. Featuring heart-breaking performances by its two female leads (Morjana Alaoui & Mylène Jampanoï) and truly shocking imagery that lingers long in the mind courtesy of special effects designer Benoît Lestang, Martyrs has risen above debates surrounding torture porn to emerge as one of the truly great works of extreme cinema. Our Masters of Cinema series is proud to present the film on 4K UHD for the first time anywhere in the world, accompanied by a wealth of new and archival extras.”
Such was the response to this announcement, Eureka has upped its initial plans to produce 4,000 copies by 50 per cent. Eureka MD Ruth Schofield said: “From the outset, Martyrs has been one of our most exciting and ambitious projects to date. We made a significant investment into the release, including funding a brand-new 4K restoration from the original camera negative, ensuring the film receives the definitive treatment it deserves. Given the film’s reputation, we anticipated strong demand and planned accordingly with an initial print run of 4,000 units, double our standard quantity. Even so, sales have exceeded all projections, with the edition selling through far more quickly than projected – one of our fastest selling titles to date. While we're committed to preserving a sense of exclusivity, we also believe in giving fans a fair chance to own this landmark release, which is why we’ve opted to increase the limited run quantity by a further 2,000 units to meet demand.”
Returning to the rest of Eureka’s October titles, the company’s Marcus Garwood continued: “Sticking with The Masters Of Cinema Series we shift over to an accomplished genre picture directed by British-Chinese filmmaker Po-Chih Leong; The Island. This 1985 gem is Hong Kong’s answer to the likes of Deliverance, The Texas Chain Saw Massacre, The Hills Have Eyes and Motel Hell – a film that transports the visceral survival horror so popular in the 1970s and 1980s from the backwoods of America to a remote island in East Asia. We are proud to present this film on Blu-ray for the first time anywhere outside of Asia. the release will include a limited edition O-card slipcase featuring superb new artwork by Ilan Sheady, plus a limited edition collector’s booklet. A maverick of independent cinema is up next as we present Larry Cohen's 1990 dark comedy horror thriller The Ambulance. Larry Cohen made a habit of transforming the seemingly benevolent into the malevolent: infants in It’s Alive, ice cream in The Stuff, police officers in Maniac Cop and the personification of the United States in Uncle Sam. In The Ambulance, it is the very thing that should save our lives that might transport us to our deaths. One of Larry Cohen’s most underrated and underseen films (featuring an unlikely cameo by Marvel legend Stan Lee), Eureka Classics is proud to present The Ambulance on Blu-ray for the first time in the UK. A 1966 European Gothic Horror rounds off the month as we present Jesús ‘Jess’ Franco's The Diabolical Dr Z for the first time on Blu-ray in the UK. The release will be presented in a limited edition O-card slipcase featuring new artwork; a limited edition booklet featuring new writing on The Diabolical Dr Z and its director by Antonio Lázaro-Reboll, co-editor of The Films of Jess Franco will also be included.”
Also announcing was Powerhouse with the latest for its Indicator series, with the company’s Sam Dunn outlining its plans. He said: "We're delighted to unveil our plans for UK Blu-ray premiere editions of yet more essential films. We have a great admiration for the work of director Budd Boetticher, so adding his 1951 drama Bullfighter And The Lady to our catalogue is a dream come true, especially as the BBFC has just passed this complete version of the film fully uncut for the first time. Similarly, adding Robert Downey Sr's uncompromising 1969 classic Putney Swope (complete with its fabulous restoration by Martin Scorsese's Film Foundation with a funding from George Lucas), and Frank and Eleanor Perry's caustic 1970 masterpiece Diary Of A Mad Housewife – two of the most uncompromising and resonant films of the period – is a real privilege. Last but not least, we're thrilled to be continuing our association with Hammer by offering up a special edition of 1971's Creatures The World Forgot, which comes complete with newly produced extras, three vintage Children's Film Foundation films from director Don Chaffey, and a lavish 80-page book.”
Also announcing for the month of October was Arrow, with the company’s slate for the month as varied as ever, offering up everything from zombies, to one from horror meister John Carpenter and a comic book adaptation that’s a world away from Marvel and co. There’s classic exploitation from the master (and BBFC botherer) Abel Ferrara in the shape of one time video favourite Ms 45 and, as ever, it’s good to see Arrow continuing to support more recent horror and genre fare in the shape of Sadness as well as Asian horror in the form of, from Hong Kong, Three and its sequel Three… Extremes in one package. Here’s the company’s Dean Lawson on its line-up. He said: “October is one of our premier release months of the year and we’re bringing a plethora of releases from the 80’s, 90’s, 00’s and 20’s, with several brand-new Arrow 4K UHD and 2K restorations. Spawn kicks the month of with a path of bloody retribution, followed by cult classic, Return of The Living Dead on the 13th of October. We then bring more recent horror standouts, Three / Three Extremes and The Sadness on the 20th of October. We then round out the month with John Carpenter’s final entry in his “Apocalypse Trilogy”, In The Mouth of Madness, and, the terrifying revenge-thriller Ms .45. We hope there’s something for everyone in October, and this is just the beginning of Q4!”
We’ll end with more from one of the current top sellers in the UK, Sinners, Ryan Coogler’s wonderful period vampire horror, currently sitting pretty at number two in the Official Film Chart after a lengthy stay both there and in the UK box office top 10. It’s a cracking Blu-ray package, with loads we gleaned from the assorted Making Ofs and extras featured. As Coogler said on the lengthy doc about its making: “I was trying to figure out what my next movie was gonna be… I was in the kitchen with my wife and producer business partner Zinzi and this Howling Wolf song came on called Wang Dang Doodle, which is a crazy song about all these dangerous characters in the south that get together and decide to throw a party… The movie just came to me, It all coalesced in that moment. I told Zinzi, ‘I got my next idea for a movie’. and more than anything, I found it was an opportunity for me to write a love letter to cinema, to all of the things I love about going to the movies and watching movies with an audience, that feeling that drove me to to wanna become a filmmaker. I maximised all the relationships that I formed with all the folks that helped me make those movies, and I'm kind of cashing it in on this picture. And at the same time, it is the first film that I made since I kind of know who I am – a dad, a husband, a business owner… In many ways, it’s the most important movie I've ever made is straight for me to audiences.”
 SPOTTED OUT AND ABOUT
From the great video promos (see below) through to key artwork and theexcellent bus sides around the country (as above, from our old chum and industry stalwart Chris Warrington), as well as last week's Shard silliness, you've got to hand it to the new Naked Gun campaign…
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TRAILERS OF THE WEEK
Evidently Chicken Town, just released on digital…
Bringing back the Prince…
We’ve got to say, some great Naked Gun promo materials out there…
…and this…
New trailer for that Eureka biggie…
And another…
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