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Art Below invite you to The Unveiling of Johan Andersson's portrait of Amy Winehouse at Gallery 118, Westbourne Grove , London.
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Event Details: Art Below unveil portrait of Amy Winehouse by Johan Andersson. Thursday 25th August 6 - 10pm.
Gallery 118,
118 Westbourne Grove,
London, WII 2RR
Nearest tube: Notting Hill Gate
Please RSVP by Wednesday 24th August
Email: rsvp@artbelow.org.uk
Phone: +44 (0) 207 731 0333
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AWARD WINNING BRIT ARTIST TO DISPLAY PORTRAIT OF
AMY WINEHOUSE AT CAMDEN TOWN TUBE STATION.
Art Below will be displaying an underground poster portrait of late soul singer Amy Winehouse at Camden Town tube station for two weeks starting 23rd August as
part of artist Johan Andersson’s 27 Club project documenting the tragic deaths of celebrities who have died at the age of 27.
On Thursday 25th August the painting itself will be unveiled at Gallery II8 on
Westbourne Grove.
Other members of the so-called 27 Club incl Kurt Cobain, Jimi Hendrix, Jim Morrison, Janis Joplin and Brian Jones. Winehouse was found dead in her Camden home on 23 July.
In 2008 Artist Andersson became the youngest person ever to be shortlisted for the BP Portrait Award and is currently the subject of a 5 week long documentary on Sky Arts called 'Art of Survival'
www.artbelow.org.uk
For further information & high resolution images please contact
E: press@artbelow.org.uk T: 0207 731 0333
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STUFF ON THE WALL, ON THE FLOOR, FLOATING IN THE AIR...
Exhibition dates: 14th September – 9th October 2011
STUFF ON THE WALL, ON THE FLOOR, FLOATING IN THE AIR..., is an interdisciplinary show of four emerging artists and a curator selected by artist Angela De La Cruz. The show will take place at Guest Projects, London - the space run by artist Yinka Shonibare.
The project started off as an ongoing blog between four artists and a curator: Bernat Daviu, Colin Guillemet, Peter Simpson, Alaena Turner and Juliette Rizzi.
The discussions that arose from the blog led the artists to create an exhibition whereby the spontaneity, dynamism and tension that characterises online communication is transferred into a physical context.
The title is borrowed from a description of René Daniëls painting The Return of Performance, 1987. It indicates the interest of the four artists in abstraction and draws out the relationship to performance as a means to activate and re-frame the art object.
Every reception of a work of art is both an interpretation and performance of it, because in every reception the work takes on a fresh perspective for itself
(Umberto Eco, Open Work, 1962)
A series of events organised by the artists and the curator have been planned throughout the duration of the exhibition. These will pick up on the performative aspect of their practices and will involve music, discussion and dance.
For more information please contact Miriam Amari miriamamari@gmail.com and Juliette Rizzi rizzi.juliette@googlemail.com
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Neil Ayling
Flection
5 October - 5 November 2011
Neil Ayling, Prime, 2011, Steel, PVC Vinyl image,175 x 130 x 128cms
courtesy the artist and EB&Flow
EB&Flow is pleased to announce Neil Ayling’s first London solo exhibition, Flection. Ayling’s interest in fragmentation informs both his sculpture and photography as he defines sculptural aesthetics of cityscapes through a visual and physical editing process.
Ayling edits and manipulates imagery through a process of cutting and folding, flection meaning the resulting condition of something being folded or bent. Fragments of architecture are isolated to highlight their inherent sculptural compositions. They provide a snap shot of the whole yet occupy a new space separate from their origin.
Ayling’s new body of work includes a series of large free standing sculptures created using materials found in urban areas such as steel, concrete, hoarding and billboard posters. The materials are reconfigured in the work to create new forms whilst retaining both visual and physical references to a specific site. The sculptures use imagery in different ways but all start from a two-dimensional state, such as the photography of architectural elements.
Another large sculpture in the exhibition responds to the lines, shapes and colours found within graffiti. With the permission of The Hayward Gallery, London, Ayling installed blank hoarding at the Southbank Undercroft space for three months. During this time they were repeatedly covered with layer upon layer of graffiti. These boards were then subsequently used to create new 3D sculptures employing Ayling’s trademark methods of extraction and dislocation.
Ayling currently combines studio work for Sir Anthony Caro with his own practice as an artist.
Key Information
Neil Ayling, Flection: 5 October – 5 November 2011
Address: 77 Leonard Street, London, EC2A 4QS
Opening Times:Tuesday - Friday 10- 6pm, Saturday 11- 3pm
Nearest tube: Old Street
Phone number: +44 (0)20 7729 7797
Website: www.ebandflowgallery.com
Private View, Thursday 4 October 2011, 6.30 – 8.30pm
For press information and images please contact:
Sophie da Gama Campos or Toby Kidd at JBPelhamPR
Tel: +44 (0)20 8969 3959
Email: sophie@jbpelhampr.com or toby@jbpelhampr.com
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