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Next Wednesday our speaker in the clubrooms will be travelling to us (if his supplied selfie is to be believed) from Shepton Mallet jail, he is Mark Kemp who will be presenting his talk entitled 40 in the Shade to 40 Below.
This is a slightly random wander around various locations in the United States. It is an accumulation of images from almost 40 years of visits for pleasure or business including some well-known places and some less visited. The subject matter and the quality of the photography may vary depending when and why the pictures were taken. But the images will be accompanied by a few stories and a little interesting information and might provide inspiration for places for the viewer to visit and photograph or just an amusing evening with a few nice pictures.
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Below are a couple of images to whet your appetite:
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- Wednesday 17 May @ 19:30hrs
- Log in: Click HERE
- Meeting ID: 822 5627 6811
- Password: 000724
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DI Meeting Monday 15 May at 7.30pm
Last month we had another fascinating evening of images from five speakers presenting a variety of images of different genera including some for critique.
Kevin James has been looking into iPhone photography to compare the images with those captured with normal DSLR cameras. The quality of mobile phone images has improved significantly recently and Kevin showed us from the examples that even without a photo app the images were as good a quality as DSLR and required little processing, if any. With a suitable app it is possible to exercise additional control over the exposure manually to add creativity and widen the scope of creating images in camera or for further processing in raw format in photo editors. Kevin’s examples of images, particularly close ups, were stunning. Of course phone cameras have limitations, but its biggest advantage is having a camera with you all the time and not missing opportunities that may come your way.
John Hudson would have used his trusted Sony DSLR camera with telephoto and high ISO to capture more of his wonderful dance images which he presented at the meeting. As usual he is creative and prolific in expanding his portfolio. His presentation included images of church interiors, some stunning stained glass and 180-degree stitched panoramas of the ceilings. He is probably the leading photographer in the club using drones in the landscape to take advantage of a unique perspective. It is a complex genre requiring a good understanding of national and local laws for flying in addition to the skill of actually flying it.
I enjoyed Colin Dixon’s images which are creative with his distinctive style. On his travels recently in Greece he discovered a mannequin graveyard and created surreal images making them look almost alive.
Image: Colin Dixon
Mike Martin is another photographer who is versatile in several genera of photography. He is deeply involved in portraiture photography in the club as well as other photoshoots to create very successful images. We were fortunate to see some of them in the traditional style and also creative ones portraying underwater scenes all cleverly done in Photoshop without getting wet!
Image: Mike Martin
Anita Fullerton has been travelling to Wales and London and showed her interpretation of the Welsh coastline and the concrete and glass jungle in London.
The next DI Group meeting is on Monday 15 May, delayed a week to let you enjoy the coronation weekend. The meeting is open to all BPS members. This is a reminder to all members that it is an ideal opportunity to share your images with fellow members to show what you have been working on, achieving success or near success in whatever way you enjoy making images. If you are preparing for club competitions (still a couple or so left) or other salons, you may want to get a second opinion at the DI meeting from your fellow members or you might just enjoy showing off your work and experiments in an informal atmosphere.
When you are ready, please email your images for presentation to reach me by 6pm-ish Sunday 14 May. Images: JPG format, sRGB colour space, 1600 x 1200 pixels (same as competitions but not strict). If you wish to show them in a specific order, please prefix filenames with 01, 02, 03 etc. Email attachment size - max 20Mb per email, as many as necessary. You may also use WeTransfer or Dropbox if convenient, but I am not equipped to receive by direct transfers from Google or Apple Mac systems.
Ashwin Chauhan
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- Monday 15 May @ 19:30hrs
- Log in: Click HERE
- Meeting ID: 889 0602 5899
- Password: 633332
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Below is an extract from the latest PAGB e-news showing the presentation to BPS for being the club with the highest entry. Keen-eyed viewers will notice that Steve Field has morphed into Mike Martin, but I'm sure that will be corrected in future editions (I'm glad that I'm not the only newsletter editor that makes mistakes!). Also shown are the three successful BPS members who had prints accepted.
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PAGB News: Trial of Two New PAGB APM Levels |
TRIAL IS FOR PRINTS ONLY AT PRESENT (PDI may follow if successful)
In response to demand from Individuals, Clubs and Federations, the PAGB is introducing, on a trial basis, two exciting new ways to achieve an Award for Photographic Merit with Prints
BPAGB. The Badge Level will be assessed at exactly the same standard as the CPAGB but will require fewer images and a slightly lower passing score. (7 Prints required. Entry Fee £42)
- Entry is available under the same conditions and criteria as apply to CPAGB applications.
- The entries will be included in the CPAGB category, and the Adjudicators will not be told which are CPAGB entries and which are BPAGB entries. They will thus be voted on according to the same criteria against the same standard as the CPAGB.
- Entry is not available to holders of the CPAGB.
- The entry is 7 Prints. The passing score for BPAGB will be 125. The normal review procedure of near misses will apply. Entrants achieving 125 or more will be awarded a BPAGB Certificate and Badge*.
*A newly sourced badge, identical to the CPAGB but White.
EPAGB. The Excellence Level is a step up from DPAGB, assessed at exactly the same standard but with a significantly higher passing score. (15 Prints required. Entry Fee £90)
- Application for the Excellence Award is only open to existing holders of the DPAGB in Print, PDI or AV who have held the DPAGB for at least 11 months and who are still current, active members of an affiliated Club.
- The entries will be included in the DPAGB category, and the Adjudicators will not be told which are DPAGB entries and which were EPAGB entries. They will thus be voted on according to the same criteria against the same standard as the DPAGB.
- No images which were used in the previously successful DPAGB entry can be used for the entry for EPAGB.
- The entry is 15 Prints. The passing score for EPAGB will be 330. The normal review procedure of near misses will apply. Entrants achieving 330 or more will be awarded a EPAGB badge*. Entrants failing to achieve 330 but achieving 300 or more will not be awarded a further DPAGB certificate and badge**.
**A newly sourced badge –similar to the current DPAGB with an added “scroll”
For the full description, please refer to the PAGB Website by following this link.
Both new levels are now open for entry for the next Adjudication in November but, for this trial, only applications in Prints will be accepted.
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For those of you who verge on being "organised", which is not a concept I understand, the full list of next year's PDI & Print Competitions, closing dates, themes & judges has now been published. You can download a copy by following this link, or by visiting the Competitions Closing Dates page in the Members' Portal of the BPS website. |
Just a few short days to go before the big event - The Bob Faris Memorial Event when we will be treated to talks by two internationally renowned photographers, Joe Cornish & Michael O'Sullivan. This is an oportunity not to be missed, for two reasons: firstly the speakers are great and secondly it's FREE - how often will you get the chance to see two photographers of this calibre without having to dip your hand into your pocket.
To book tickets, just follow this LINK.
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NEW: Download Issue 332 of PAGB eNews HERE
NEW: Download the latest edition of Photography News (Issue 106) HERE |
Midland Salon of International Photography
Closing date: 1 July
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I've received the following from Sue O'Connell:
"I’m (super) pleased and proud to report that I have had two acceptances (the maximum for one entrant) in the prestigious London Salon 2023 (one colour and one mono)."
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Salon acceptances: Contrary to popular belief, I do not possess psychic powers and need you to tell me if you've had successes. If you want to blow your own trumpet (or someone else's), then this is the place to do it. Please let me know and I'll include details in a future issue.
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If you have any photographic items for sale, drop me a line and I'll include it in the next newsletter. Please make sure that you provide contact details, price and full description of the sale items (pictures always help).
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IMPORTANT: Personal Detail Changes |
Please don't forget that if you change your address (home or email), or gain additional photographic distinctions, it would be appreciated if you could let the Membership Secretary know so that she can keep her records up to date, this will also ensure that you continue to receive your newsletters - please email all changes to membership@bristolphoto.org.uk.
The distinctions we have on record are those shown at the top of this newsletter, please remember, if you don't tell us we can't possibly know!
DO NOT REPLY TO THE NEWSLETTER.
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For those of you who aren't sure what MPAGB, EFIAP/s and many more such seemingly random collections of letters mean, just click here to see the list.
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Missed a Copy of the Newsletter?
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To view past editions of this Newsletter, please click on the following link and then select the date(s) you are looking for - BPS Newsletter Archive
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BPS Website - Members' Portal "Log in" |
To enter the Members' Portal of the BPS website you will need the following:
Username - Your Membership Number Password - Created by you
If you have any problems getting into the Members' Area, please contact Matt by email: webmaster@bristolphoto.org.uk
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Bristol Photographic Society,
Unit 13, Montpelier Central, Station Rd, Bristol, BS6 5EE
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