The band managed to hypnotise all with their discordant trance-like spell which served as an antidote to the prevailing trend in British pop at the time - they resurrected the concept of loud out there-rock for a new era, creating droning soundscapes of bleak beauty and harsh dissonance, loosely influenced by bands such as The Velvet Underground, The Stooges, The MC5, but retaining an avant-garde and experimental edge from Can, Faust, Neu!, Rhys Chatham, Glenn Branca and minimalist systems music, to name but a few. Live shows were revelatory, Loop, allowing LOUD as an constant descriptive term, they pushed PAs to the very edge of their existence, creating a sonic pummel not really experienced since.
A collection of singles and B-sides, The World in Your Eyes, appeared on HEAD in 1987 and after the departure of Endeacott the band signed to the Chapter 22 label, releasing the Collision 12" as well their more sparse and discordant second full-length, Fade Out.
With another label change, this time to Situation Two Records, the band replaced Endeacott’s vacant position with Scott Dowson and veered towards more ethereal soundscapes on A Gilded Eternity (1990) which was to be their final album.
After 4 years of pushing the boundaries, the band disbanded with only a BBC sessions collection Wolf Flow (1991) released after the band’s demise.