tim and leanne's spring newsletter -- sugar & mud

IN THIS ISSUE

    Upcoming Work
    We keep plugging away, doing this and that.

    Vampire Princess
    January blues, February reviews and
    Big News-- we're recording June 2nd!

    Remembering Molly
    our sweet greyhound is gone, but not forgotten

    Something About Storytelling
    Telling Chicken Little

     

UPCOMING WORK

April 10 & 11
Storytelling
Grafton MA Elementary Schools (5 shows)

April 27
Sheefra (music only)
Montpelier Farmer's Market (Vermont College) 10:30-1:00

May 2nd
Sheefra (music only)
Art Opening
Kellogg Hubbard Library 5-7

May 12th (Mother's Day)
Cold River Radio live variety show
Theater in the Woods, North Conway NH
Broadcast and Stream from WMWV
contact us for details

May 18
Sheefra (music only)
Watisfield Farmer's Market 10:30- 1:30

June 2nd
Vampire Princess Live Recording
free, by reservation only

June 7th
Storytelling
Waterbury 250th Celebration
Rusty Parker Memorial Park bandshell
(Time not set, probably early evening.)
Waterbury Vermont

June 13
Tim turns 65

Peeking ahead

July 31
Snow Library. Orleans MA
(We hope this is one of several shows on the Cape.
Call us if you know somebody you think might be
interested in picking one up.)

Friday the 13th of September
Vampire Princess Tour Kickoff
& CD Release Gala

North End Studios
Burlington VT

Vampire Princess

1-- JANUARY

Our recording date in Southern Vermont was cancelled at the last minute. To those of you who wanted to come, we're very sorry for your disappointment. It's a complicated and touchy subject, and a newsletter's really not the place to go into such things. If you're interested, send me an email and I'll give you my take on what happened. It will be easy to prevent a recurrence.

The mess-up was distressing for us, as for everybody involved, but it may have been for the best-- this will be a much better CD because we're doing it after our February shows.

2- FEBRUARY

The February Lost Nation Theater premiere went quite well. We had a strong opening-night and turnout continued to build throughout the four nights of the run. Good notices, excellent publicity, and we even made some money.

Times Argus Preview
"compelling performances that go far beyond conventional storytelling"

Seven Days
"a verbal pas de deux, a delight to watch"

Times Argus Review
"rich entertainment, riveting, macabre, and very funny."

It was supremely pleasant to be presented and supported by the gang at Lost Nation: Kim, Kathleen, Casey, and Kris. It would be all too easy to get used to: not setting up from scratch before every show and then breaking down and packing up again afterwards, a good stage and lighting, a comfortable green room with goodies in it, people selling our product for us, taking pictures for us, shooting video for us, pitching in on publicity chores and taking them to another level...

Lots more to love about it, but no point in thinking too much about it, we have ample delights and compensations in our usual more gypsy style of production. Just, we really enjoyed going "legitimate" in our hometown, however briefly, and are grateful for the experience.

It's a funny kind of life we lead. We're not folksingers, we're not circus artists, we're not theater people. We're not exactly traditional craftspeople-- we've had to make up what we do, pretty much, though it is rooted in tradition. Increasingly, our work is unlike what's offered by other storytellers. Most folks have no idea that what we have is what they want. It's an ongoing challenge.

3- JUNE

Calling the audience!

Live Recording
The Vampire Princess
& other eerie folktales

Sunday June 2nd
Montpelier, VT
2:30 & 7:00

We're recording two shows in a very small room, first Sunday in June, and we need two audiences. Come if you can, we're close to a lot of you than we were before, and will help find decent & reasonable lodging for any die-hard fans who want to come from a distance.

If you think you're going to be interested in attending, please contact us now, to make sure you're in the loop and to put our minds at ease. There isn't much room, but we want you to be there. It's going to be fun.

The program will somewhat different from our Valentine's Day set at Lost Nation-- no mushy stuff-- but it will include the same folktales as our first set, plus more. As of this writing, it looks like "Vampire Princess," "Water of Life," "Greedy Priest, "National Embalming School," "Mr & Mrs Knight," and "Four Friends & a Tiger." I'll be doing a jump tale, too, probably "Golden Arm."

Please come, if you can. Ir's a fun show despite the eerie theme, with our usual blend of classic and contemporary traditional materials, and any occasional roller-coaster "eek!" momens are immediately followed by laughter.

Admission is free, by reservation only. You are strongly encouraged to register early. Space is limited!

information & reservations, email me

 

 

 

 

 

 

photos taken at Lost Nation by Kris Weir


\

 

 

Molly

As we told you in our last newsletter, our sweet greyhound dog has died.
Here's a bit more about her.

In many ways, Molly was exactly the right dog for us.

She may have been the only greyhound ever who could be let outside without supervision into an unfenced yard with an extensive view. Most greyhounds will see something move on the horizon and head for it. Molly would just sniff around for awhile, maybe run back and forth a bit, then lie on the grass and gaze into the distance.

She was an introvert who didn't mind being left alone for a long time-- in fact, at first she seemed to find it a positive relief. She had lots of anxieties, but separation was not one of them, and that was good because we have to travel, and were very rarely able to bring her along with us.

No matter what she was up to, when we whistled for her she came flying-- she was very fast, even for a greyhound-- and then come to a dead stop at our feet, 40 to 0, boop, like it was nothing, like Newton's first law didn't exist. We didn't teach this, she came that way.

When deer came around, she'd shrink back and want to go inside-- they were too big for her. The only things she chased were grey squirrels, not very often, and fast as she was, she managed to never catch one.

+++

We'd had a greyhound before her, Billy. He always knew when there was a dog within a mile, and would be there in a blink, eating up the space that lay between. I never bothered calling him on the outward run because I knew he wouldn't come, and I didn't want him to get used to ignoring me. (A bit like the King in The Little Prince, reasoning about generals and butterflies.)

Molly was equally good at knowing when there was a dog ahead, but for the opposite reason: she'd stop dead, refuse to budge, or turn to go the other way. Sadly unsocial, but very convenient during a walk in the woods. And essential in a yard that has had dogs living to the south, east, and west, one of them visible across a busy highway.

+++

In some ways, Molly was exactly the wrong dog for us.

Leanne and I are huggy-touchy-feely with dogs, and Molly was hand-shy, quick to feel crowded, and leery of almost all physical contact. They had masked this symptom at the shelter by introducing her to us in company with a very demonstrative and friendly lab/greyhound cross, and Molly seemed social enough in that context-- taking her cues from the other dog, and competing for attention.

We discovered her issues during the car ride home from the shelter. She went off balance, poor thing, fell into the space between the front and back seats and couldn't figure out how to get up. She scrabbled for awhile then stood frozen and wild-eyed. When we tried to help her back up onto the seat she screamed so loudly we thought our fingers must have gone knuckle-deep into some open wound. But no, she was just panicked, and when we touched her the panic got so much worse that she screamed.

We heard that scream quite often, early on, but by degrees we all adjusted. It was hard, Billy had been very mushy so Molly's greyhound looks called forth our dog-hunger-- but as we stopped making little lunges at her she began to relax and become more trusting.

After awhile you could stand next to her and pet her (a little) as long as you weren't looking right at her, and she wasn't looking at your hands. She seemed to liked that quite well, sometimes. But any serious cuddling remained strictly out of bounds. We had to get what we needed in that department from unruly dogs we knew or encountered, ruining their training and encouraging bad behavior as they flung themselves up into us and got all up in our faces.

+++

It was like she had a list. Everything that she tried once and didn't turn out well went on the list, which only seemd to get longer. Once something landed there it was almost impossible to get it off.

She loved us-- no question about it. Somewhere along the line somebody had used hands to grab and hold her, and then something happened she really didn't like. So, seeing hands come towards her freaked her out. She didn't mind if we petted her with our feet -- I guess nobody had ever kicked her. But in general, hands were No Good unless they had food in them, and even then she was careful.

You could tell she would have loved more petting, if she could have gotten over the panic-- she was always a sweet dog, sentimental and social. It was a real shame.

+++

You couldn't coax her onto a couch or bed-- the idea filled her with horror. And god forbid you should try to sit on the floor next to her. In the ten years we had her, if anybody tried that piece of basic dog-friendly behavior she'd bound up like a terrified jack-in-the-box and speed into a different room.

Maybe some vet or trainer (track dogs have owners, but they usually don't have much to do with them) once sat down next to her and gave her a shot, or tattooed her ear, or even just grabbed her roughly to put on a sweater. Almost anything coud have done it.

Little by little over many years we got her used to one of us bending at the knee a little, then squatting close by, then going down on one knee, then onto two knees. She'd roll her eyes and look concerned, but learned to tolerate it. But let one butt-cheek hit the floor-- BOING!-- she was gone!

+++

We loved each other a lot, with all the mutual pleasure and comfort that dogs and dogpeople find in each other's company.

And as Molly grew frailer, near the end of her life, that list she'd been maintaining began to fade. As she got creakier, and her hip began to bother her, she learned the joys of full-body massage (as long as it was delivered in a particular way, standing, from the side), and in fact began to demand it as part of her morning routine, leaning up against us, and half-closing her eyes.

A couple of years ago, we had a kind of Christmas miracle in a motel room. She actually spent part of the night on the bed with us.

And at the very end, when she couldn't reliably remember where the door was, or how to lie down on her bed, the list was gone. I sat on the floor with her, her head in my lap, and petted her and petted her, and-- though we were both feeling pain-- we were happy.

 

 

young molly

 

 

 

molly in the car

 

 

molly near the end

 

 

Something About Storytelling

CHICKEN LITTLE

This is one of the stories I use to teach elementary and middle school children how to tell folk tales. Please don’t think of this as writing, any more than you think of early Beatles lyrics as writing. (Love. Love me. Do. You know, I love you. I'll always be true. So please--- love me. Do. Wo Ho! Love me. Do.)

Colorless prose and run-on sentences strung together with “and” make bad writing. But that's pretty much the way you ought to tell this one-- or so I think.

The coaching notes at the end help explain how it works

Once upon a time there was a little chicken, and everybody called him-- Chicken Little.

And one day while he was out walking, up in the sky a bird flew over and it dropped an acorn, and the acorn fell down and-- bip-- bopped him on his head. Chicken Little said "AWK! " and looked up, and he didn't see anything, and he looked down and he didn't see anything. So he said

"Help, help the sky is falling! Help, help the sky is falling! I have to tell the King!"
And he went running down the road, looking for the King.

As he was running he met Henny Penny. And Henny Penny said, "Buk Buk Buk BUK! Hello Chicken LIttle. What in the world is wrong with you?" And Chicken Little said, "Oh Henny Penny! Haven't you heard-- the sky is falling! The sky is falling! I have to tell the King." And Henny Penny said, "Really? Really? How exciting! Buk buk buk BUK! I want to go too." And they went down the road together, shouting "Help, help the sky is falling! Help, help the sky is falling! We have to tell the King!"

After awhile they met Goosey Loosey. "(Honk! Honk!) Hello Chicken Little, hello Henny Penny. What in the world is wrong with you?" "Oh, Goosey Loosey, haven't you heard? The sky is falling! We have to tell the King!" "Honk Honk! That's terrible! Honk honk. I want to go too." And they all went down the road together shouting "Help, help the sky is falling! Help, help the sky is falling! We have to tell the King!"

And along the road, they met Turkey Lurkey. And Turkey Lurkey said "(Gobble gobble gobble!) Hello Chicken Little, Hello Henny Penny, Hello Goosey Loosey. What in the world is wrong with you?" "Oh, Turkey Lurkey. Haven't you heard? The sky is falling! The sky is falling! We have to see the King!" "(Gobble gobble gobble!) Oh that's terrible! Can I go too?" And they all went down the road saying "Help, help the sky is falling! Help, help the sky is falling! We have to tell the King!"

And they went down the road, and they met Foxey Loxey. And Foxey Loxey said, "Hello, Chicken Little, Hello Henny Penny, Hello Goosey Loosey. What in the world is wrong with you?" And they told him, "Oh, Foxey Loxey, haven't you heard? The sky is falling! We have to tell the King!"

"Nothing easier," said Foxey Loxey. "He's back there in my den. But the King doesn't like to feel crowded, so I'd better bring you in one by one. Now, who wants to go first?"

Everybody wanted to be first to see the King, but the Turkey was the biggest. "Gobble gobble gobble. Me first! Gobble gobble gobble. I want to see the King!" and he pushed everybody else away.

"Come with me," says Foxey Loxey, and they went down into the hole together. And after a moment the other animals heard a was big commotion down in there, a lot of squawking and barking and feathers flying out— and then the fox called up, "NEXT"

"Honk Honk. Me! I want to go! Honk Honk! Me next" said Goosey Loosey, and she pushed her way down into the hole. More squawking, more feathers, and the fox said "NEXT!

"Buk buk buk BUK!" said Henny Penny, and she jumped down in the hole. Squawks, feathers, and then............ no sound at all.

And then, Chicken Little suddenly remembered — it was his turn to take the garbage out. So he went home. And so poor Chicken Little never got to see the King.


NOTES ON PERFORMANCE

Don't be afraid to go over the top with this thing.

When Chicken Little says "Help Help!" the first time, the audience should jump a little. Everybody's panicking, make them wild!

For goodness sakes, don't say the words "honk honk"or "gobble gobble" etc. Make the animal sounds. (If you don't know what they sound like, you can google them.) Be a hysterical chicken, hen, duck, and finally a whole crowd of hysterical fowl. Flap your arms, look around wildly. Go for it! It's what makes this story work.

Enjoy the repetitive nature of the tale. Think of it as a song with a really good chorus. Don't hold back as it progresses. You may be able to get a young audience to join in "The Sky is falling! The Sky is falling! We have to tell the King!"

Little physicalization touches-- you'll think of some of these yourself, but for example: on the first "bap!" put your hands on your head, pull your head into hour shoulders, look up. Turkey pushing the other animals away. "A lot of squawking from down in the hole"-- look down in the hole amd point while speaking, then look up at the audience) "feathers came flying out" (hand motions indicating a small fountain of feathers.)

Voice dripping with concern at the end-- "POOOOR little Chicken Little."

 

 

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